An engrossing murder mystery with strong female characters.
In this thriller, an investigative journalist gets unwittingly caught up in a conspiracy when someone seems to be killing misogynistic Silicon Valley men.
Lou McCarthy prides herself on reporting the truth, even if it means exposing a man with power and connections. Her latest article for the Bay Area Herald centers on the CTO of Raum, a private tech company based in San Francisco. He’s a sexual predator who, according to interviews with several women, has assaulted university students for years. Lou anticipates the standard backlash, but that’s not quite what she gets, especially after the CTO takes his life in a disturbingly public fashion. Things only get worse when another businessman whom Lou exposed two years ago for sexual harassment violently kills himself as well. As some blame the journalist for the men’s deaths, Lou finds herself the target of a militant group of woman-hating trolls that’s gone after her before. Luckily, she has an ally, albeit an unexpected one. Helen Tyler, a member of Raum’s crisis-management team, wants an answer to the mysterious suicides. She and Lou run with the theory that someone set out to ruin these men and possibly drive them to kill themselves. The pair’s investigation turns up evidence that an unknown tormentor indeed singled out the two high-profile assailants. As readers know, “Fate,” so named in a dead man’s journal, has eyes on Lou and Helen for an elaborate plan already underway. What Fate wants isn’t immediately clear, but there’s a good chance that more rich, privileged men will pay—with their wallets or their lives or both.
Carr’s feminist tale highlights complex women. Lou, for example, is a likable, self-assured protagonist, while Helen, who proclaims herself a “hired gun,” has a murky history that makes her hard to trust. Nevertheless, Lou’s mother and her mom’s best friend, Carol Brook, steal every scene they’re in. The two women, even in Atlanta, face off against the “troll army”—not a problem for shotgun-toting Carol. The story can be heavy-handed at times, teeming with deplorable, easy-to-hate male characters, not the least of whom are the trolls, whose online creed is the impudent #MensLivesMatter. Still, Carr deftly explores a number of topical issues, from women overlooked or mistreated in the workplace to men who use their affluence to silence rape survivors. All of this plays against the backdrop of a solid mystery; Lou and Helen’s investigation stirs up myriad unknowns, like Fate’s identity, a burner phone number, and what one man yelled during his iPhone-recorded suicide. The author’s cynical prose aligns with the women’s attitudes, having spent their lives surrounded by loathsome men: “The only reason” Lou “kept banging her head against her computer screen for so long, trying to get someone—anyone—to care about her stories was that she hadn’t been able to come up with a better way to take down these assholes.” Carr skillfully manages a chaotic final act that involves a rescue, a frightening band of investors, and a character who’s perhaps not as appalling as he initially seemed.
An engrossing murder mystery with strong female characters.Pub Date: Oct. 11, 2021
ISBN: N/A
Page Count: 275
Publisher: Snafublishing
Review Posted Online: Aug. 25, 2021
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.
Many years after her older brother, Bear, went missing, Barbara Van Laar vanishes from the same sleepaway camp he did, leading to dark, bitter truths about her wealthy family.
One morning in 1975 at Camp Emerson—an Adirondacks summer camp owned by her family—it's discovered that 13-year-old Barbara isn't in her bed. A problem case whose unhappily married parents disdain her goth appearance and "stormy" temperament, Barbara is secretly known by one bunkmate to have slipped out every night after bedtime. But no one has a clue where's she permanently disappeared to, firing speculation that she was taken by a local serial killer known as Slitter. As Jacob Sluiter, he was convicted of 11 murders in the 1960s and recently broke out of prison. He's the one, people say, who should have been prosecuted for Bear's abduction, not a gardener who was framed. Leave it to the young and unproven assistant investigator, Judy Luptack, to press forward in uncovering the truth, unswayed by her bullying father and male colleagues who question whether women are "cut out for this work." An unsavory group portrait of the Van Laars emerges in which the children's father cruelly abuses their submissive mother, who is so traumatized by the loss of Bear—and the possible role she played in it—that she has no love left for her daughter. Picking up on the themes of families in search of themselves she explored in Long Bright River (2020), Moore draws sympathy to characters who have been subjected to spousal, parental, psychological, and physical abuse. As rich in background detail and secondary mysteries as it is, this ever-expansive, intricate, emotionally engaging novel never seems overplotted. Every piece falls skillfully into place and every character, major and minor, leaves an imprint.
"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.Pub Date: July 2, 2024
ISBN: 9780593418918
Page Count: 496
Publisher: Riverhead
Review Posted Online: April 13, 2024
Kirkus Reviews Issue: May 15, 2024
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
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