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UNSAY THEIR NAMES

A stirring record of anti-racism in a Southern city.

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A powerful photographic testament to a series of inspiring protests.

Poet, playwright, and photographer Kannemeyer’s book opens with a compelling preface on the “great American rift” after the 2020 murder of George Floyd and goes on to present six months’ worth of images of the author’s home city of Richmond, Virginia, from June to November 2020, as well as two appendices following up on events in 2021. Across eight chronological chapters, anchored with expansive notes throughout, Kannemeyer presents an astounding photographic catalog of changes that were happening in Richmond, centering on statues of Confederates and other historical figures. The book opens with an image of the Robert E. Lee monument, Richmond’s statuary centerpiece, and readers see its marble facade covered in inspirational art and messages that offer celebrations of Black Lives Matter and criticisms of policing. Kannemeyer’s eye is also drawn to many people who stand up against monuments to White supremacy, showing them protesting the statue’s “Lost Cause” legacy. Kannemeyer intersperses notes throughout that give the collection a diarylike feel—noting, for example, how daytime gatherings were peaceful but that ones at night “hardened the tone.” He also includes historical commentary, such as a passage dispelling the oft-cited myth that Robert E. Lee was opposed to slavery. Later chapters include powerful photos of a toppled edifice of Christopher Columbus as it was fished out of water; the removal, by crane, of a statue of Stonewall Jackson as people look on in a blustery rainstorm; and the Jefferson Davis Memorial, covered in graffiti condemning his racist legacy. In closing appendices, Kannemeyer offers thoughtful reflections on ongoing questions about how Americans memorialize their history; he writes of his hope to find “other ways, and other places, to pay tribute.”
A stirring record of anti-racism in a Southern city.

Pub Date: Sept. 15, 2021

ISBN: 978-1006490187

Page Count: 244

Publisher: Blurb, Incorporated

Review Posted Online: Nov. 29, 2021

Kirkus Reviews Issue: Jan. 15, 2022

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THE JAILHOUSE LAWYER

An eye-opening look at prison life from the point of view of a true warrior for justice.

A memoir on the making of a literal “jailhouse lawyer.”

Wrongfully arrested and convicted of murder in New Orleans, which at the time had “the highest rate of wrongful convictions in the nation, with nearly all the victims being Black men who…grew up poor,” Duncan served for 23 years in Louisiana’s notorious Angola prison and other institutions. He might have done his time at the Orleans Parish Prison, but, he writes, he wanted access to Angola’s more extensive law library. Well before being transferred there, he petitioned the Louisiana Supreme Court for a law book, a motion denied because it had not first been adjudicated in a lower court. A sympathetic judge gave him a copy all the same, and Duncan was off to a career as an inmate advocate, regularly filing petitions and lawsuits on his own behalf and that of his fellow prisoners—the first suit being “over the jail’s failure to provide him with a high-fiber diet,” soon followed by motions to provide mental health treatment, end beatings and arbitrary punishments, and improve medical care. Known as the “Snickers Lawyer” for taking payment in candy, he became a self-taught expert on constitutional issues. Naturally, he recounts, he was targeted by guards and wardens for his legal activism, even as he proved essential to Angola’s population; in time, too, he found a few unlikely allies among the staff. Duncan’s well-told story is full of fraught moments of abuse both physical and judicial, though it has something of a happy ending in that, after earning a law degree after his release, he was exonerated of the crime and has since been fighting for other prisoners to “have meaningful access to the courts.”

An eye-opening look at prison life from the point of view of a true warrior for justice.

Pub Date: July 8, 2025

ISBN: 9780593834305

Page Count: 400

Publisher: Penguin Press

Review Posted Online: April 17, 2025

Kirkus Reviews Issue: May 15, 2025

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A WEALTH OF PIGEONS

A CARTOON COLLECTION

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

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The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 30, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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