A smart, far-future space saga with a sympathetic protagonist facing stranglehold parental control.
A teenager aboard the Hope, a giant spaceship on a long voyage to colonize another world, seeks freedom from her rich, tyrannical father with a long-shot bid to join the first team of planetary settlers.
In this SF series opener, Hoff assumes readers are savvy enough to need no introductions to genre concepts like a “generation ship,” a deep-space ark taking breeding earthlings on a millennialong trek to a new life on another planet. The Hope is one such vessel, now 30 years away from the destination planet, Shindashir. But ship life is stifling for Anastasia Cartier—aka Anya—the 15-year-old daughter of the venal Thomas Cartier, the wealthiest man aboard and, hence, the population’s major behind-the-scenes influence (including on criminal activities). Controlling his family with a nightmarish web of surveillance, Thomas wants Anya to remain on the ship to marry 25-year-old rising officer Ryan Lancet—which will not only affirm the Cartier power base, but also continue the family’s rare, White Anglo bloodline. Anya wants to break from her dysfunctional dynasty by joining the first vanguard of departing colonists, but she faces multiple obstacles, including being unfairly regarded as a privileged, spoiled rich kid. Worse, her ruthless father becomes violent when he does not get his way. A surprise ally for Anya is her new workmate in the ship’s greenhouses, dreadlocked teen Borsk King, declared doomed and nonreproducing material because of a rare genetic condition but secretly the best hacker on the Hope. Yet is he good enough to thwart Thomas’ machinations? Whereas other authors might indulge in breathless, Arthur C. Clarke–style descriptions of starship engineering and vast cosmic vistas, Hoff focuses instead on the psychological claustrophobia suffered by a hero in a cramped minitechnocracy where arranged mating via DNA optimization is the norm. On the Hope, rampant spying, loss of privacy, and betrayal go hand in hand with numerous regulations designed to protect the innocent (but which somehow fail). In a standard, time-proven, future-dystopia trope, Anya is caught between potential love interests who are both captivating and utterly impossible. Thomas makes one of the more compelling bad-dad villains this side of Darth Vader in this engaging, if sometimes talky, tale.
A smart, far-future space saga with a sympathetic protagonist facing stranglehold parental control.Pub Date: July 8, 2020
ISBN: 978-1-73507-421-4
Page Count: 254
Publisher: The Pencil Princess Workshop
Review Posted Online: Dec. 17, 2021
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Sharp, funny and thrilling, with just the right amount of geekery.
When a freak dust storm brings a manned mission to Mars to an unexpected close, an astronaut who is left behind fights to stay alive. This is the first novel from software engineer Weir.
One minute, astronaut Mark Watney was with his crew, struggling to make it out of a deadly Martian dust storm and back to the ship, currently in orbit over Mars. The next minute, he was gone, blown away, with an antenna sticking out of his side. The crew knew he'd lost pressure in his suit, and they'd seen his biosigns go flat. In grave danger themselves, they made an agonizing but logical decision: Figuring Mark was dead, they took off and headed back to Earth. As it happens, though, due to a bizarre chain of events, Mark is very much alive. He wakes up some time later to find himself stranded on Mars with a limited supply of food and no way to communicate with Earth or his fellow astronauts. Luckily, Mark is a botanist as well as an astronaut. So, armed with a few potatoes, he becomes Mars' first ever farmer. From there, Mark must overcome a series of increasingly tricky mental, physical and technical challenges just to stay alive, until finally, he realizes there is just a glimmer of hope that he may actually be rescued. Weir displays a virtuosic ability to write about highly technical situations without leaving readers far behind. The result is a story that is as plausible as it is compelling. The author imbues Mark with a sharp sense of humor, which cuts the tension, sometimes a little too much—some readers may be laughing when they should be on the edges of their seats. As for Mark’s verbal style, the modern dialogue at times undermines the futuristic setting. In fact, people in the book seem not only to talk the way we do now, they also use the same technology (cellphones, computers with keyboards). This makes the story feel like it's set in an alternate present, where the only difference is that humans are sending manned flights to Mars. Still, the author’s ingenuity in finding new scrapes to put Mark in, not to mention the ingenuity in finding ways out of said scrapes, is impressive.
Sharp, funny and thrilling, with just the right amount of geekery.Pub Date: Feb. 11, 2014
ISBN: 978-0-8041-3902-1
Page Count: 368
Publisher: Crown
Review Posted Online: Dec. 7, 2013
Kirkus Reviews Issue: Dec. 15, 2013
PROFILES
SEEN & HEARD
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