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MINK AND RED HERRING

Sub-titled "The Wayward Pressman's Casebook", these articles- all of which originally appeared in The New Yorker, comprise a fairly precise and perforating investigation of the infallibility of written words- in this case those of the press. And with unfailing markmanship, Liebling delivers some chastening criticism of his confreres and sob sisters, their boomerangs, duds, alarums, and plain exaggerations and errors. Here, in particular instances which have incited him to research and reproach, are the varied versions which appeared on headline high spots and sore spots; the atom bomb and food prices; the Lady in Mink- on the relief payroll, and Princess Elizabeth's wedding; a controversy over rooks, and a regional gestapo- the Mississippi Bureau of Investigation; the French murderess Mme. Schlumpf and the un-american Elizabeth T. Bentley; red herring and hotbeds, from spy scares to the Hiss-Chambers affair; and the all time record out on a limb, the national election, when "Practically every newspaperman above the grade of a Sokolsky was stunned into contrition". There's some pretty brilliant stuff here, which is very funny too, but one questions whether the no longer topical interest in many of the subjects scored may not limit the appeal of the volume.

Pub Date: June 23, 1949

ISBN: 0837161746

Page Count: 251

Publisher: Doubleday

Review Posted Online: May 18, 2012

Kirkus Reviews Issue: June 1, 1949

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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