Boyd's carefully intense explorations into emotional and sexual relationships could probably have produced three or four...

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MOURNING THE DEATH OF MAGIC

Boyd's carefully intense explorations into emotional and sexual relationships could probably have produced three or four thoroughly satisfying short stories. Instead, they uneasily share space in a novel of page-by-page energies and over. all lassitude. Parts I and III: divorced drifter Shannon, now leather-crafting in California, reads Emerson to 92-year-old Johanna, blind and proud and afraid of dying. Parts II and IV: Shannon's Carolina childhood playmates, sisters Mallory and Galley Rhett, take divergent paths out of Southern belledom--quiet Mallory astonishingly becomes the lawyer-son her father wanted; brilliant, gay Galley drops out, breaks down--but they finally reunite in a bewildered, fade-out, lesbian embrace. Shannon's Carolina homecoming fails to effect the much-needed fusion of parts, but out of the often acute, occasionally pretentious prose arise some arresting set-pieces: Shannon carries apartment-bound Johanna to the beach; Mallory rebels against Dixie and Dad by bombing an all-white beauty salon; suicidal Galley takes an LSD trip with fellow outcast Jayjay, ""who would do anything for a cock in his mouth or his asshole."" Feminist concerns are controlling here (even Johanna has a joyful little acre of Lesbos in her past) and may bring a strong sectarian response for a writer who, with sharpened senses of shape and selectivity, could eventually be getting a response from everyone.

Pub Date: Sept. 12, 1977

ISBN: N/A

Page Count: -

Publisher: Macmillan

Review Posted Online: N/A

Kirkus Reviews Issue: Sept. 1, 1977

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