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GIVING GOOD

As special as can be.

A father spends quality time with his son.

On a snowy school night, a child narrator is picked up from his mom’s place. Daddy is there with his old, rusty car and telltale frayed black knit cap (“his crown”). The duo hop in the car together and head to Grandma’s house. The slightly somber car ride introduces some familial tension (“Don’t matter what he did or didn’t do. Daddy just got hit hard”), but the child focuses on love. After all, “Daddy always gives good. He always protects your feelings.” In Daddy’s room at Grandma’s, they construct model planes. It’s quiet at first, but soon the room is filled with laughter. Their precious time together comes to an end, but before dropping the child back at his mom’s, Daddy, noticing that the boy doesn’t have a hat, gives him his own cap—a tangible reminder of Daddy’s loving, generous spirit. Boyd beautifully depicts a father-son relationship weathering the difficulty of parental separation. Appropriately vague text immerses readers in the perspective of a child who lacks the full vocabulary to understand the situation. The cold tones outside of Daddy’s room contrast with the warmth inside to create a cozy, loving feeling when they share space together. The textural, photorealistic art style adds a richness to the double-page spreads. Like Boyd and his child in the author photo, Daddy has brown skin, while the child is lighter-skinned.

As special as can be. (Picture book. 4-8)

Pub Date: Oct. 3, 2024

ISBN: 9780807529126

Page Count: 32

Publisher: Whitman

Review Posted Online: July 19, 2024

Kirkus Reviews Issue: Aug. 15, 2024

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A THOUSAND YEARS

A sweet notion that falls flat.

A hit song reimagined as a book about parental love.

Featured in The Twilight Saga: Breaking Dawn—Part 1, Perri’s “A Thousand Years” deals with the speaker’s fear of romantic love. In picture-book form, it explores a parent’s unwavering love for a child, who grows from an infant into a toddler over the course of the narrative. The caregiver expresses awe when the youngster learns to stand and fear that the child might fall while beginning to walk. “I have spent every day waiting for you,” the parent says. “Darling, don’t be afraid.” What the child might fear isn’t clear from the joyful balloon- and rainbow-filled illustrations. The story borders on cloying, and words that might work when sung and accompanied by music don’t sound fresh on the page: “Time goes by. / You grow ever stronger as you fly.” The refrain, however, is a lovely sentiment: “I have loved you for a thousand years. / I’ll love you for a thousand more.” Perri’s legion of fans may flock to this version, illustrated by Ruiz with sparkling stars, bubbles, and big-eyed toddlers, but it doesn’t hold together as a narrative or an ode, as it’s billed, and it’s a long way from the original song. The child is tan-skinned, the parent is lighter-skinned, and other characters are diverse.

A sweet notion that falls flat. (Picture book. 4-7)

Pub Date: April 1, 2025

ISBN: 9780593622599

Page Count: 32

Publisher: Viking

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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