A comic horror tour de force.
When nightmarish creatures attack, the fate of humanity rests in the hands of a 10-year-old girl.
It is Halloween night, and all young Mona wants to do is trick-or-treat, but her parent is unable to take her. In the dark and gloom of night, monsters descend, and Mona finds herself absorbed into a motley but friendly crew of creatures: tween vampire Ringley, creepy living doll Robert, teenage ghoul Shirley, and Banjo the wereopossum. The nightmarish monster scourge has been unleashed by the presumed death of the Phagocyte, a magical being who keeps the balance between worlds. Can Mona and her friends find the Phagocyte’s heir before the monsters devour all of humanity? In this spectacularly wrought graphic offering, writer and artist Howard’s illustrations are unquestionably striking, utilizing a perfect mood-setting black-and-white pen-and-ink scheme and grabbing its reader with both the scope of its imagination and its clever use of perspective, including fish-eye shots. Despite its prepubescent protagonist, this is not a middle-grade tale; Howard has a keen eye for creative gore that may deter the squeamish, however, those who forge on will be utterly captivated by its unexpected heart and dark humor. Although Howard’s first volume in a proposed series is a hefty doorstop at nearly 450 pages, expect readers to blaze through it at wildfire speed and absolutely demand more. Mona’s parent is nonbinary; most characters appear to be White.
A comic horror tour de force. (character list, reader questions, guide to making a comic) (Graphic horror. 14-18)Pub Date: Oct. 27, 2020
ISBN: 978-1-945820-66-3
Page Count: 442
Publisher: Iron Circus Comics
Review Posted Online: June 14, 2020
Kirkus Reviews Issue: July 1, 2020
BOOK REVIEW
BOOK REVIEW
A sparse, beautifully drawn story about a teen discovering her heritage.
In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.
Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.
A sparse, beautifully drawn story about a teen discovering her heritage.Pub Date: March 15, 2018
ISBN: 978-1-55379-678-7
Page Count: 48
Publisher: HighWater Press
Review Posted Online: Feb. 28, 2018
Kirkus Reviews Issue: May 1, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Hinds adds another magnificent adaptation to his oeuvre (King Lear, 2009, etc.) with this stunning graphic retelling of Homer’s epic. Following Odysseus’s journey to return home to his beloved wife, Penelope, readers are transported into a world that easily combines the realistic and the fantastic. Gods mingle with the mortals, and not heeding their warnings could lead to quick danger; being mere men, Odysseus and his crew often make hasty errors in judgment and must face challenging consequences. Lush watercolors move with fluid lines throughout this reimagining. The artist’s use of color is especially striking: His battle scenes are ample, bloodily scarlet affairs, and Polyphemus’s cave is a stifling orange; he depicts the underworld as a colorless, mirthless void, domestic spaces in warm tans, the all-encircling sea in a light Mediterranean blue and some of the far-away islands in almost tangibly growing greens. Don’t confuse this hefty, respectful adaptation with some of the other recent ones; this one holds nothing back and is proudly, grittily realistic rather than cheerfully cartoonish. Big, bold, beautiful. (notes) (Graphic classic. YA)
Pub Date: Oct. 1, 2010
ISBN: 978-0-7636-4266-2
Page Count: 256
Publisher: Candlewick
Review Posted Online: Sept. 15, 2010
Kirkus Reviews Issue: Oct. 1, 2010
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