Lyrical and impassioned.
In this newly translated work of fiction, the Paris-based Moroccan writer and filmmaker looks at sexuality, desire, and identity in a post-colonial world.
Zahira is a Moroccan woman living in Paris. She gives her friend Aziz, an émigré from Algeria, the new name Zannouba on the evening before the young woman’s gender affirmation surgery. Both are prostitutes. Zahira offers herself to the Muslim immigrants of Paris. Zannouba cultivates a wealthier clientele. Both women dream of a future that is very different from their present, and their accounts are intertwined with those of the men and women they meet. The people depicted here are not so much united by story—there isn’t much in the way of story—as by themes. The French occupations of North African and Southeast Asia cast a shadow over their lives, from the undocumented laborers Zahira takes as customers to another Moroccan prostitute attached to a French army unit in 1950s Saigon. Class and race are also explored here. A man who fell in love with Zahira when she was a girl is enraged to discover that she is not the pure creature he imagined, and his anger is fueled, in part, by the fact that her mother rejected his offer of marriage because he’s Black. When Zannouba first arrives in Paris, she makes her way by presenting herself in the way French men want to see her: “I prostituted myself dressed as a moderately savage Arab boy from over there, Algeria. The clients liked that.” In her private life, she simultaneously emulates and disdains the wealthy, educated men in her orbit. Identity is presented as a fluid concept for the characters. Upon discovering that surgery is not the transformation she hoped it would be, Zannouba loses herself in a surreal reverie about the actress Isabelle Adjani. Another actress—the classic Bollywood star Nargis—is an aspirational figure for the Moroccan woman stranded in Vietnam. None of these characters emerges as a fully formed person, and they all speak with the same fervent, poetic voice. But in these vignettes and monologues, Taïa offers American readers glimpses of lives few of us are likely to see outside of this book.
Lyrical and impassioned.Pub Date: Sept. 15, 2020
ISBN: 978-1-60980-990-4
Page Count: 144
Publisher: Seven Stories
Review Posted Online: July 28, 2020
Kirkus Reviews Issue: Aug. 15, 2020
PERSPECTIVES
Unrelenting, and not in a good way.
A young Navarrian woman faces even greater challenges in her second year at dragon-riding school.
Violet Sorrengail did all the normal things one would do as a first-year student at Basgiath War College: made new friends, fell in love, and survived multiple assassination attempts. She was also the first rider to ever bond with two dragons: Tairn, a powerful black dragon with a distinguished battle history, and Andarna, a baby dragon too young to carry a rider. At the end of Fourth Wing (2023), Violet and her lover, Xaden Riorson, discovered that Navarre is under attack from wyvern, evil two-legged dragons, and venin, soulless monsters that harvest energy from the ground. Navarrians had always been told that these were monsters of legend and myth, not real creatures dangerously close to breaking through Navarre’s wards and attacking civilian populations. In this overly long sequel, Violet, Xaden, and their dragons are determined to find a way to protect Navarre, despite the fact that the army and government hid the truth about these creatures. Due to the machinations of several traitorous instructors at Basgiath, Xaden and Violet are separated for most of the book—he’s stationed at a distant outpost, leaving her to handle the treacherous, cutthroat world of the war college on her own. Violet is repeatedly threatened by her new vice commandant, a brutal man who wants to silence her. Although Violet and her dragons continue to model extreme bravery, the novel feels repetitive and more than a little sloppy, leaving obvious questions about the world unanswered. The book is full of action and just as full of plot holes, including scenes that are illogical or disconnected from the main narrative. Secondary characters are ignored until a scene requires them to assist Violet or to be killed in the endless violence that plagues their school.
Unrelenting, and not in a good way.Pub Date: Nov. 7, 2023
ISBN: 9781649374172
Page Count: 640
Publisher: Red Tower
Review Posted Online: Jan. 20, 2024
SEEN & HEARD
SEEN & HEARD
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
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