The talking cure has come almost too late for the oddly prim ex-sailor and his family. There is nothing to involve the...
An immigrant father’s silence about his background roils the life of his family in England; in this awkward eighth novel, Gurnah (Desertion, 2005, etc.), a Briton of Zanzibari descent, revisits the theme of alienation.
It was almost love at first sight. In 1974, they were working in the same factory in the English town of Exeter. Maryam was 17; Abbas was 34. Maryam was a dark-complected foundling, abandoned outside a hospital. Her foster parents, Indian immigrants, after some initial kindness, began treating her like a slave, so it was an easy decision to elope with Abbas, though she knew virtually nothing about him. He proves a good husband, and they have two children, Hanna and Jamal. Though he is loving with them too, Abbas never opens up about his background, and this becomes a source of frustration for Maryam and the kids. Who is this gentle, withdrawn man? He was born in Zanzibar. His family were Indian Muslims, dirt poor. His father, a subsistence farmer, was a tyrant, but Abbas escaped to a teacher training college. A bright future was doomed when he was tricked into an arranged marriage; his bride was already pregnant. At 19, Abbas fled Zanzibar and became a sailor for 15 years before settling in England. It is his irrational shame at abandoning his deceitful wife that has kept his lips sealed. The novel begins with the 62-year-old Abbas collapsing at home: It’s the first of three strokes. Maryam pressures him to tape-record his memories. Gurnah moves jarringly between past and present, in which the grown children, better at life than their parents, are discovering sex and confronting racism. More damagingly, the author disregards fiction’s first commandment: Show, don’t tell. So the family stays out of focus, less a unit than four individuals struggling with their own destinies.
The talking cure has come almost too late for the oddly prim ex-sailor and his family. There is nothing to involve the reader in this protagonist’s dilemma.Pub Date: Feb. 1, 2014
ISBN: 978-1-62040-328-0
Page Count: 288
Publisher: Bloomsbury
Review Posted Online: Nov. 2, 2013
Kirkus Reviews Issue: Nov. 15, 2013
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
