Next book

FRIED BUTTER

A FOOD MEMOIR

Elemental acuity and burlesque combine here to delicious effect.

Food as memory, memory as food, experienced with the unexpectedness of déjà vu, knocked between melancholy and humor, as summoned by newcomer Opincar.

In this short, intense memoir, the author ranges freely as he looks back on the food in his life and how it has intersected and toyed with his emotions. The writing is offbeat, achieving the trick of seeming at once grounded and untethered. With twisted charm, Opincar will praise the hen for its “inexplicable, almost comical” selflessness, or, in the process of buying basil plants, note that most of the plant professionals he has met are “thin, strange, and practical.” He offers a savvy little disquisition on turmeric, a sweet vignette of a taco stand in Tijuana, and a funny description of the curious cheese fleur de maquis, which “looks like something an animal buried in the forest . . . like something only a brave person might poke with a stick.” Opincar is just the man for the job. Example follows savory example of all the instances when food triggers memory: an aunt hurling cornmeal mush at his father, saffron evoking the sadness of exile, an abortion tied to chocolate and cinnamon, black radishes conjuring up rainy days, and garlic reminding him of the affection of his parents, while the non-garlic-eating couples filed for divorce, Opincar remembers “my mother in a loose shift dress, my father in shirtsleeves . . . speaking in low voices, laughing.” He darts suddenly between a kosher vegetarian restaurant in Jerusalem and a favorite stuffing with a recipe that “called for only one cup of butter, but I knew that three cups yielded a better result,” in a style that is reminiscent of Simon Loftus's Pike in the Basement, though very much possessing its own odor. Quoting Huysmans—“the scent of her underarms easily uncaged the animal in men”—Opincar elaborates that this is “a bacterial process not unlike that in ripening of cheese.”

Elemental acuity and burlesque combine here to delicious effect.

Pub Date: April 1, 2003

ISBN: 1-56947-334-X

Page Count: 176

Publisher: Soho

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2003

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Next book

TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

Categories:
Close Quickview