A memorable combination of science and faith and the determination to unite the two.
Boyarsky’s novel follows one man’s quest to connect technology and the Messiah.
Eighty-year-old retired mathematician Jacob Lazerson lives with his wife, Sarah, in Montreal. The couple doesn’t have much money, but they do have hope for the future: They are part of an Orthodox Jewish community that believes the Messiah may arrive any day. (Jacob fondly recalls the famous Chassidic Rebbe saying “The advent of the Messianic age is only a gesture away.”) Jacob feels he can usher in that event with a little help from science. When Jacob is not observing the Sabbath or attending the synagogue, he runs a computer program of his own design that will, he believes, validate the Bible and “consequently bring about the Messianic Age.” The program works by identifying “associated Hebrew sequences for all exons in the human genome,” which will prove the Bible’s “divine intelligence.” Jacob’s obsessive quest is not the only challenge he faces—it’s 2020, and the Covid-19 virus is on the rise. Jacob must be extra cautious, as some in his religious community forgo precautions such as face masks because they might signal “that their faith in God to protect them was lacking.” Jacob takes readers on a curious, winding path; he’s immersed in a world where people actively anticipate a messianic figure, yet he’s still comfortable with aspects of the modern world like computer programming. Jacob’s love of hard science and religious adherence is an intriguing mix that finds him dreaming about a debate with a famous atheist. Some of the narrative’s flights of fancy can be on the dull side—Jacob’s imagined conversation between the Rebbe and Albert Einstein is not particularly illuminating, for example. Vague insights, such as Einstein saying he recognizes the “impact faith and philosophy have on shaping human values and society,” do not make for page-turning moments. Yet readers will remain curious about what, if anything, Jacob’s struggle will amount to.
A memorable combination of science and faith and the determination to unite the two.Pub Date: Feb. 29, 2024
ISBN: N/A
Page Count: 150
Publisher: Bayou Wolf Press
Review Posted Online: Feb. 18, 2024
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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