by A.C. Grayling ‧ RELEASE DATE: May 9, 2024
A primer of legal terminology and a plea for recognizing the potential dangers of space exploration.
An assessment of the possibilities for a multinational agreement on the regulation of space.
Grayling, the eminent British philosopher, worries about the planetary impact of the human pursuit of “profit and advantage.” The author claims that the prospect of valuable minerals on the moon and the planets, the commercial and military possibilities of low and medium Earth orbit, and the territorial longings of nation-states are likely to breed competition and conflict. Grayling particularly fears a repeat of what occurred in the late 19th century when powerful countries colonized Africa for wealth and territory—a problematic comparison on many levels. The 1967 United Nations’ Outer Space Treaty is inadequate regarding both the militarization of space and its exploitation by private enterprise. Any new international treaty must be carefully tailored to how space should be managed, include all nations as signatories, be supported by a central body with monitoring capabilities and enforcement powers, and benefit all humanity. In this way, “although no one owns the moon…we will all be responsible for it.” Space will thereby become “the common possession of humanity.” To this end, Grayling examines current international treaties that govern two similar realms: the oceans and Antarctica. He searches for language that will garner wide consensus and be legally enforceable. Despite his pessimism that the international order “is an anarchy of self-interests only tenuously constrained by expediencies,” Grayling believes that creating an informed public and crafting treaties and conventions through the U.N. can prevent space from turning into “yet another but even larger arena of human conflict.” His appeal to the reasonableness of people and nations, though, is a weak basis for a sustainable agreement. His argument is aspirational, and the book is mainly background for a more in-depth discussion.
A primer of legal terminology and a plea for recognizing the potential dangers of space exploration.Pub Date: May 9, 2024
ISBN: 9780861547258
Page Count: 224
Publisher: Oneworld Publications
Review Posted Online: Jan. 30, 2024
Kirkus Reviews Issue: March 1, 2024
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
by Alok Vaid-Menon ‧ RELEASE DATE: June 2, 2020
A fierce, penetrating, and empowering call for change.
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Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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by Shavone Charles ; illustrated by Ashley Lukashevsky
by Leo Baker ; illustrated by Ashley Lukashevsky
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