Beneath the down-home Southern trappings, fans will find Atkins’ customary mixture of political corruption, true-blue...
Reluctantly back in the saddle as the sheriff of Tibbehah County, Mississippi, Quinn Colson goes up against a trio of bank robbers as cunning as they are clueless.
Rick Wilcox, Jonas Cord (who’s borrowed his name from that of a notorious Harold Robbins hero), and their buddy Opie have robbery down to a science. They know exactly the best time to move on even modest institutions like the Jericho First National Bank, and they perform each job with military precision. While Cord waits in a disposable stolen truck, the other two enter each target armed with a stopwatch, a pair of assault rifles, two Donald Trump masks, and an unforgettable tagline: “Anyone moves and I’ll grab ‘em by the pussy.” No one generally moves, and the former Marines and their junior partner drive off, ditch their ride and set it afire, and then take off to plot their next caper. Now that they’ve fouled his nest, Quinn would love to catch them, but he and his deputies have their hands full with the disappearance of teenagers Tamika Odum and Ana Maria Mata, county supervisor Skinner’s endless complaints against Vienna’s Place, the strip club Fannie Hathcock runs just outside the city limits, and the trashing of Maggie Powers’ house by somebody, presumably her estranged husband, who didn’t even bother to steal anything. This last crime would barely register on Quinn’s radar if Maggie weren’t a well-nigh forgotten friend he spent summers playing with as a child, an old acquaintance with whom his friendship might well blossom into something else. In between shared meals of catfish and whiskey, though, Quinn keeps being drawn back to Vienna’s Place—and so, it turns out, do the robbers he’s pursuing.
Beneath the down-home Southern trappings, fans will find Atkins’ customary mixture of political corruption, true-blue policing, intimate betrayals, and wholesale violence. The satisfyingly inconclusive ending of this sequel to the equally dark The Innocents (2016) puts a whole new spin on catharsis.Pub Date: July 18, 2017
ISBN: 978-0-399-57671-3
Page Count: 384
Publisher: Putnam
Review Posted Online: May 1, 2017
Kirkus Reviews Issue: May 15, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...
Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.
The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.Pub Date: Sept. 29, 2015
ISBN: 978-0-06-242905-6
Page Count: 400
Publisher: Morrow/HarperCollins
Review Posted Online: June 30, 2015
Kirkus Reviews Issue: July 15, 2015
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