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EDDA

A LITTLE VALKYRIE'S FIRST DAY OF SCHOOL

While this will introduce readers to aspects of Norse mythology, there’s not enough detail to satisfy; the questions this...

Wagner’s operas inspired this Valkyrie-themed look at the first day of school.

Choosing to define Valkyrie as “an ancient Norse goddess who guides and protects heroes” (rather than the more common life-or-death decision-maker for warriors), Auerbach’s choice of protagonist is an unusual one that may simply go over the heads of young readers, though they will certainly empathize with her. Off to school to meet kids her own age, Edda is not sure Earth compares favorably to her life back in Asgard. At home, Edda can do as she pleases, whereas at school, she will get a timeout if she doesn’t follow the rules. No one wants to share or trade lunches with Edda, who has brought a flagon of…something and a huge hunk of meat still on the bone, and she misses the amazing wildlife of Asgard—Rex the classroom guinea pig is no substitute. But things begin to look up when Edda uses a difficult writing assignment to describe Asgard for her classmates, who suddenly want to know more about Edda and where she lives. Auerbach’s pen-and-ink illustrations were colored digitally, giving them a flat, matte aspect. The two worlds are just as incongruous as adult readers might imagine.

While this will introduce readers to aspects of Norse mythology, there’s not enough detail to satisfy; the questions this will raise far outweigh any comfort those new to school may gain from it. (Picture book. 4-8)

Pub Date: June 24, 2014

ISBN: 978-0-8050-9703-0

Page Count: 40

Publisher: Christy Ottaviano/Henry Holt

Review Posted Online: May 13, 2014

Kirkus Reviews Issue: June 1, 2014

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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IMANI'S MOON

While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...

Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.

The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.

While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)

Pub Date: Oct. 14, 2014

ISBN: 978-1-934133-57-6

Page Count: 32

Publisher: Mackinac Island Press

Review Posted Online: July 28, 2014

Kirkus Reviews Issue: Aug. 15, 2014

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