A deeply allegorical and powerfully thought-provoking dystopian must-read.
Debut author Bender offers an Orwellian thriller about an amnesiac’s struggle to understand his place in a fascistic country.
The embattled nation in Bender’s novel has recently created the Department of Purity, a new branch of government dedicated to “national unity and security.” When the protagonist, who calls himself “Seven,” wakes up in a forest with no memory of his life, he makes his way into the capital city and soon finds himself immersed in a society where political propaganda plays a monumental role in daily existence. Residents are either called “Patriots” or “Heretics,” and the president’s primary goal is to rid the country of supposed revolutionaries bent on ruining the unity of the general public: “a great cleansing has begun.” Seven goes on to befriend a young man named Adrian at a youth hostel who helps him get a job and find a sense of stability in his largely blank existence. But after Adrian is senselessly murdered by an Elite Guard and Seven kills the government henchman, he turns to the Underground for safety and support—and learns firsthand just how insidiously tyrannical the government has truly become. Fueled by a brilliantly nebulous backdrop, this briskly paced, action-packed novel is undeniably a page-turner of the highest order. Also, many readers will draw immediate comparisons between the Department of Purity and the real-life passage of the USA PATRIOT Act after 9/11. The only criticism of the book comes in its depiction of women; Seven refers to them as “broads” and unapologetically objectifies them throughout. Such sexism notwithstanding, the novel engagingly explores themes such as invasive governmental surveillance and mind control, which makes for a highly entertaining and enlightening reading experience.
A deeply allegorical and powerfully thought-provoking dystopian must-read.Pub Date: Aug. 10, 2013
ISBN: 978-1-4348-3274-0
Page Count: 194
Publisher: CreateSpace
Review Posted Online: March 11, 2016
Review Program: Kirkus Indie
PERSPECTIVES
Will simultaneously intrigue both romantics and skeptics. The science might oversimplify, but it’s gripping enough to read...
Marrs’ debut novel traces the stories of five people who find their soul mates—or do they?
Imagine if you could submit to a simple DNA test and then receive your Match in your email. Not just an online date who might be geographically compatible, but a true and unique genetically destined partner. While the potential long-term benefits may seem to outweigh the negative consequences, the system is far from infallible; as any science-fiction fan could tell you, if it sounds too good to be true, there’s usually a catastrophe lurking at the other end. Marrs’ novel traces five individuals who meet their Matches under varying circumstances and with widely conflicting outcomes. During the course of their romantic adventures (and misadventures), the entire DNA matching algorithm will prove to be susceptible to hacking, also proving that (gasp!) just because something may be driven by science doesn’t mean that it’s free from the world of human error. The philosophy posed by the novel speaks not just to the power of love and the laws of attraction, but also serves as a commentary on today’s world of genetic exploration. Do these breakthroughs simplify our lives, or do they make us lazy, replacing the idea of “destiny” or “fate” with “science” as a larger power that we don’t need to question? These ideas keep the novel moving along and create a deeper level of interest, since most of the narrative threads are fairly predictable. The two exceptions are the psychopathic serial killer who meets his Match and begins to lose interest in killing and the heterosexual man matched with another man, both of whom must then redefine sexuality and love, commitment and family.
Will simultaneously intrigue both romantics and skeptics. The science might oversimplify, but it’s gripping enough to read all in one sitting.Pub Date: Feb. 20, 2018
ISBN: 978-1-335-00510-6
Page Count: 416
Publisher: Hanover Square Press
Review Posted Online: Dec. 6, 2017
Kirkus Reviews Issue: Jan. 1, 2018
BOOK REVIEW
BOOK TO SCREEN
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...
Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.
The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.Pub Date: Jan. 6, 2015
ISBN: 978-0-345-53981-6
Page Count: 448
Publisher: Del Rey/Ballantine
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
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