A deeply allegorical and powerfully thought-provoking dystopian must-read.
Debut author Bender offers an Orwellian thriller about an amnesiac’s struggle to understand his place in a fascistic country.
The embattled nation in Bender’s novel has recently created the Department of Purity, a new branch of government dedicated to “national unity and security.” When the protagonist, who calls himself “Seven,” wakes up in a forest with no memory of his life, he makes his way into the capital city and soon finds himself immersed in a society where political propaganda plays a monumental role in daily existence. Residents are either called “Patriots” or “Heretics,” and the president’s primary goal is to rid the country of supposed revolutionaries bent on ruining the unity of the general public: “a great cleansing has begun.” Seven goes on to befriend a young man named Adrian at a youth hostel who helps him get a job and find a sense of stability in his largely blank existence. But after Adrian is senselessly murdered by an Elite Guard and Seven kills the government henchman, he turns to the Underground for safety and support—and learns firsthand just how insidiously tyrannical the government has truly become. Fueled by a brilliantly nebulous backdrop, this briskly paced, action-packed novel is undeniably a page-turner of the highest order. Also, many readers will draw immediate comparisons between the Department of Purity and the real-life passage of the USA PATRIOT Act after 9/11. The only criticism of the book comes in its depiction of women; Seven refers to them as “broads” and unapologetically objectifies them throughout. Such sexism notwithstanding, the novel engagingly explores themes such as invasive governmental surveillance and mind control, which makes for a highly entertaining and enlightening reading experience.
A deeply allegorical and powerfully thought-provoking dystopian must-read.Pub Date: Aug. 10, 2013
ISBN: 978-1-4348-3274-0
Page Count: 194
Publisher: CreateSpace
Review Posted Online: March 11, 2016
Review Program: Kirkus Indie
PERSPECTIVES
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...
Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.
The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.Pub Date: Jan. 6, 2015
ISBN: 978-0-345-53981-6
Page Count: 448
Publisher: Del Rey/Ballantine
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
An ambitious and satisfying conclusion to a monumental saga.
Brown completes his science-fiction trilogy with another intricately plotted and densely populated tome, this one continuing the focus on a rebellion against the imperious Golds.
This last volume is incomprehensible without reference to the first two. Briefly, Darrow of Lykos, aka Reaper, has been “carved” from his status as a Red (the lowest class) into a Gold. This allows him to infiltrate the Gold political infrastructure…but a game’s afoot, and at the beginning of the third volume, Darrow finds himself isolated and imprisoned for his insurgent activities. He longs both for rescue and for revenge, and eventually he gets both. Brown is an expert at creating violent set pieces whose cartoonish aspects (“ ‘Waste ’em,’ Sevro says with a sneer” ) are undermined by the graphic intensity of the savagery, with razors being a favored instrument of combat. Brown creates an alternative universe that is multilayered and seething with characters who exist in a shadow world between history and myth, much as in Frank Herbert’s Dune. This world is vaguely Teutonic/Scandinavian (with characters such as Magnus, Ragnar, and the Valkyrie) and vaguely Roman (Octavia, Romulus, Cassius) but ultimately wholly eclectic. At the center are Darrow, his lover, Mustang, and the political and military action of the Uprising. Loyalties are conflicted, confusing, and malleable. Along the way we see Darrow become more heroic and daring and Mustang, more charismatic and unswerving, both agents of good in a battle against forces of corruption and domination. Among Darrow’s insights as he works his way to a position of ascendancy is that “as we pretend to be brave, we become so.”
An ambitious and satisfying conclusion to a monumental saga.Pub Date: Feb. 9, 2016
ISBN: 978-0-345-53984-7
Page Count: 400
Publisher: Del Rey/Ballantine
Review Posted Online: Dec. 8, 2015
Kirkus Reviews Issue: Dec. 15, 2015
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