Frenetic and clever: does for lonesome security guards what John Welter’s Night of the Avenging Blowfish (1994) did for the...
A high-strung sentry meets his match in this witty comedy about love, possession and the uncertainty of security.
Barring the overly elaborate but forgivable confluence of double-crosses at its gasping finale, Davies’s latest comic novel (Goodbye Lemon, 2006, etc.) succeeds admirably. Our loquacious narrator is Otto Starks, a highly specialized security agent known as a “pulse”—a human sentinel with otherworldly powers of perception honed by years of training and a plethora of pharmacological abuse incurred in the interests of toxin immunity. “To say that we are elite security guards doesn’t quite cover it,” Otto explains. “We are the reason why the Crown Jewels still belong to Great Britain and why warheads haven’t shown up in Iran.” Blessed with the love of struggling art-history professor Charlie Izzo, who thinks he’s a talent scout for the Mets, Starks is circling around a few more high-paying gigs before he plans to slip away with Charlie in tow on an expensive sloop. Putting a monkey wrench in his plans is a preternaturally gifted art thief dubbed the “Rat Burglar,” who revels not only in outmaneuvering the hypersensitive guard, but in leaving him alive each time to suffer the ridicule of his equally quirky comrades. Davies brilliantly imagines the elaborate details of guarding treasures that Otto thinks of merely as “MacGuffins,” from the bantering shorthand of his fraternity of muscle-bound custodians to the action-packed brawls between Starks and opponents armed with dart guns. As the plot intensifies toward a showdown among Otto, his elusive nemesis and a vicious underworld puppeteer named Azar over a stolen cache of misappropriated Iraqi art, Davies’s latest starts to resemble a comic book more than a crime novel. Not that there’s anything wrong with that.
Frenetic and clever: does for lonesome security guards what John Welter’s Night of the Avenging Blowfish (1994) did for the U.S. Secret Service.Pub Date: Aug. 5, 2008
ISBN: 978-1-59448-314-1
Page Count: 240
Publisher: Riverhead
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2008
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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