by Adam Ehrlich Sachs ‧ RELEASE DATE: May 21, 2019
A pleasure to read, especially for the scientifically inclined.
Mix Umberto Eco and Thomas Pynchon, add dashes of Liu Cixin and Isaac Asimov, and you’ll approach this lively novel of early science.
Being an astronomer in the days before high-powered telescopes were developed was not an easy job, especially for the sightless but productive astronomer at the center of Sachs’ (Inherited Disorders, 2016) literate, quietly humorous historical novel. The astronomer in question, who, notes protagonist Gottfried Leibniz—yes, that Leibniz, polymathic philosopher and inventor of calculus—is “in fact entirely without eyes,” has predicted, to the very moment, that at noon on the last day of June 1666 a profound solar eclipse will plunge all Europe into temporary darkness. Given that no other astronomer has arrived at this forecast, Leibniz is intrigued, and off he goes to find the astronomer and gauge whether he is truly blind and truly not off his rocker: “So, if he is sane, and he has not detected me, then this is not a performance, and either he really sees, or he thinks he really sees.” Given that the year 1666 has been an ugly one of plague and war and anti-scientific purges, there’s plenty of reason not to want to see. The astronomer has much to say about such things, spinning intricate tales, some of them increasingly improbable. There’s a gentle goofiness at work in Sachs’ pages, as when he constructs a syllogism about the relative movements of thinkers and nonthinkers, concluding that “if you look very closely at a nonthinker and a true thinker you’ll notice that they’re actually standing still in completely different ways,” and when a prince reasons that in order to call a dog a dog, the thing has to love us, whereas “before that point we call it a wolf.” Yet there’s an elegant meditation at play, too, on how science is done, how political power can subvert it (in the astronomer’s case, in the form of onerous taxes), and how we know the world around us, all impeccably written.
A pleasure to read, especially for the scientifically inclined.Pub Date: May 21, 2019
ISBN: 978-0-374-22737-1
Page Count: 240
Publisher: Farrar, Straus and Giroux
Review Posted Online: Feb. 27, 2019
Kirkus Reviews Issue: March 15, 2019
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BOOK REVIEW
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
by Genki Kawamura ; translated by Eric Selland ‧ RELEASE DATE: March 12, 2019
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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