Too much exposition stalls a promising thriller.
Harriet “Harri” Kealty is having a hard time. The love of her life has left her high and dry. She's lost her job as a police officer after the man who attacked her partner dies under mysterious circumstances. To top it all off, she’s obsessed with what appears to be a murder-suicide in which her former beau is the prime suspect.
For about three-quarters of its length, this British thriller balances twists and turns with weighty matters of fate, regret, grief, and longing. It’s a multimedia production, with narrative bites coming from court transcripts, transcribed video tapes, good old-fashioned letters, and a third-person omniscient narrator. It keeps the reader guessing, as a thriller is supposed to. And then it falls off a cliff, much as one of its characters does. It hints at a possible science-fiction element throughout; three of its main characters are high-level scientists, and the novel leaves a trail of breadcrumbs suggesting that their work might come into play. When it does, the results are kind of interesting, then quite imaginative, as long as you don’t think about it too much. Then the author explains. And explains. And explains. Harri all but vanishes for multiple pages at a time. Come back, Harri! She does, eventually, but by then the reader is swimming in scientific theory and wrestling with the book’s wordy take on the space-time continuum. It’s admirable when an author is willing to take a leap, but this one happens so fast and switches the novel’s tone (not to mention its genre) so completely that the reader might wonder what happened to that lean thriller they were just reading. The novel ultimately gets so mired in plot exposition that the ending seems further away the closer you get.
Too much exposition stalls a promising thriller.Pub Date: Sept. 27, 2022
ISBN: 978-1-9821-9618-9
Page Count: 304
Publisher: Atria
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A potent and surprising novel by the ever-reliable Crais.
Hired to find the father of celebrity “muffin girl” Traci Beller 10 years after his disappearance, PI Elvis Cole uncovers a nefarious plot that puts his life and those he contacts at risk.
The sweetly likable Traci, now 23, has amassed a huge following with her website, The Baker Next Door, and on social media. Against the advice and self-interest of the people who over-manage her career, she decides to find out what happened to her father. Cole quickly determines that he was last seen at the SurfMutt hamburger stand, where he gave a ride to Anya Given, a troubled 15-year-old whose mother, Sadie, was late in picking her up from the skate park across the street. With the reluctant help of a scattered young woman who used to work at the burger joint, Cole tracks down Anya and Sadie, who is eventually revealed to have a criminal past. For his efforts, he’s jumped by a small gang of men who send him to the hospital with the worst beating of his life. (Asked by a nurse what his name is, the best he can guess is “Los Angeles.”) Still in recovery, Cole and Joe Pike, his ex-Marine partner, trace his attackers to Sadie, with unexpected results. As ever, Crais draws the reader in via his protagonist’s casual, dryly humorous manner and the book’s relaxed ties to classic noir. Slowly but surely, the plot gains intensity and deadly purpose. Just when you think the missing persons case is solved, Crais ratchets things up with a devastating follow-through. This is the L.A. novelist’s 20th Cole mystery, following such efforts as The Watchman (2007) and Racing the Light (2022). It may be his most powerful.
A potent and surprising novel by the ever-reliable Crais.Pub Date: Jan. 14, 2025
ISBN: 9780525535768
Page Count: 400
Publisher: Putnam
Review Posted Online: Nov. 9, 2024
Kirkus Reviews Issue: Dec. 15, 2024
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