by Adam Hamdy ‧ RELEASE DATE: Sept. 27, 2022
Too much exposition stalls a promising thriller.
Harriet “Harri” Kealty is having a hard time. The love of her life has left her high and dry. She's lost her job as a police officer after the man who attacked her partner dies under mysterious circumstances. To top it all off, she’s obsessed with what appears to be a murder-suicide in which her former beau is the prime suspect.
For about three-quarters of its length, this British thriller balances twists and turns with weighty matters of fate, regret, grief, and longing. It’s a multimedia production, with narrative bites coming from court transcripts, transcribed video tapes, good old-fashioned letters, and a third-person omniscient narrator. It keeps the reader guessing, as a thriller is supposed to. And then it falls off a cliff, much as one of its characters does. It hints at a possible science-fiction element throughout; three of its main characters are high-level scientists, and the novel leaves a trail of breadcrumbs suggesting that their work might come into play. When it does, the results are kind of interesting, then quite imaginative, as long as you don’t think about it too much. Then the author explains. And explains. And explains. Harri all but vanishes for multiple pages at a time. Come back, Harri! She does, eventually, but by then the reader is swimming in scientific theory and wrestling with the book’s wordy take on the space-time continuum. It’s admirable when an author is willing to take a leap, but this one happens so fast and switches the novel’s tone (not to mention its genre) so completely that the reader might wonder what happened to that lean thriller they were just reading. The novel ultimately gets so mired in plot exposition that the ending seems further away the closer you get.
Too much exposition stalls a promising thriller.Pub Date: Sept. 27, 2022
ISBN: 978-1-9821-9618-9
Page Count: 304
Publisher: Atria
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Michael Connelly ‧ RELEASE DATE: May 20, 2025
As the prosecutor sadly observes: “All this because of a dead buffalo.”
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Idyllic Catalina Island turns out to be just as crime infested as the rest of Los Angeles County in the latest series launch by the creator of Harry Bosch, Renée Ballard, and the Lincoln Lawyer.
Det. Sgt. Stilwell has been bounced off the county homicide squad and rusticized to Catalina, where the exclusive Black Marlin Club won’t admit even four-term Avalon Mayor Doug Allen to full membership and the most serious infraction seems to be the killing and cutting up of a buffalo, presumably by Henry Gaston, who operates Island Mystery Tours when he’s not threatening endangered species. All that changes with the discovery of a body sunk in the surrounding waters. The corpse, most recognizable by its streak of purple hair, is that of Leigh-Anne Moss, a Black Marlin server recently fired for fraternizing with members and guests she sees as potential sugar daddies. Stilwell is sufficiently invested in her murder to compete vigorously over jurisdiction with Rex Ahearn, the LA County homicide detective who kept his job when Stilwell lost his. Their rivalry, fueled by mutual contempt, is only the first hint that Stilwell will end up fighting his counterparts in law enforcement and local government at least as hard as he fights crooks like hit man Merris Spivak and Oscar “Baby Head” Terranova, Henry’s boss, who comes under sharper scrutiny when Henry disappears and ends up dead himself. Connelly handles his hero’s obligatory romance with assistant harbormaster Tash Dano and his increasingly wary alliance with assistant D.A. Monika Juarez with equal professionalism, and if the wrap-up leaves some loose ends dangling, well, that’s what franchises are for.
As the prosecutor sadly observes: “All this because of a dead buffalo.”Pub Date: May 20, 2025
ISBN: 9780316588485
Page Count: 352
Publisher: Little, Brown
Review Posted Online: April 19, 2025
Kirkus Reviews Issue: May 15, 2025
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