An insightful portrayal of childhood loss and healing.
A girl struggling with grief receives help from a classmate and her father.
Lily has “a hole”—represented by a dusky violet circle on her T-shirt. Her sadness persists through festivities on her birthday, a beach trip, and more. Despite her empathetic father’s attempts to help, Lily’s hole grows as she withdraws from favorite pastimes and routines. At school, Thomas notices her distress and confides, “I have a hole too.” Thomas shows her the patches on his T-shirt. “They help you repair the hole.” Lily works on creating patches with Thomas at school, at home with Daddy, and alone. Lily’s and Thomas’ patches are symbols of things that can help us heal—pets, nature, music, and connections with others. Lehrhaupt sensitively handles a common emotional side effect of healing from grief: worrying that moving on means forgetting. “If I patch it completely, will I still remember?” asks Lily. “You won’t forget,” he reassures her. “But things will get better.” By showing Lily beginning to recover due in part to the help of a friend, Lehrhaupt demonstrates that kids have the ability to help themselves and others heal from loss. Gentle illustrations, often set against white backdrops, portray Lily and her dad with light brown skin and dark hair. Thomas has dark brown skin and curly hair; students in the classroom are diverse. (This book was reviewed digitally.)
An insightful portrayal of childhood loss and healing. (author’s note, “how to make a patch” activity) (Picture book. 5-8)Pub Date: April 15, 2022
ISBN: 978-1-53411-122-6
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: April 26, 2022
Kirkus Reviews Issue: May 15, 2022
Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)
Pub Date: Sept. 1, 2009
ISBN: 978-0-399-25248-8
Page Count: 40
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2009
SEEN & HEARD
Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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