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THE GOLEM OF BROOKLYN

A farcical spin on the Jewish plight.

A 9 ½-foot, 400-pound golem, built out of stolen clay by a stoned Brooklyn art teacher, heads south to tear limbs from antisemitic limbs at a post-Charlottesville rally.

The Golem, we learn, is a reincarnation of sorts of the Golem of Prague, who, Jewish folklore has it, perished at Babyn Yar along with more than 33,000 Jews. He's a bit out of it at first blush, able to speak only in Yiddish and miffed that the teacher, Len Bronstein, a nonobservant Jew who somehow worked the magic that only rabbis had worked before, neglected to give him something. “ ‘Avu iz mayn shmok,’ he blurted.” Translation: “Where is my dick.” But after learning English from binge-watching Curb Your Enthusiasm, The Golem (as he insists on being called) is ready to rampage, part Frankenstein's monster and part insult comic. "Could crush your head like walnut," he says. Committed to his role as protector of Jews, he prepares to unleash major mayhem when told of the Save Our History's Future rally in Kentucky, where chants of "Jews will not replace us" will fill the air. Len hopes to convince The Golem that "Defending ourselves is different than killing every Jew-hater," but Larry David has the humanoid's ear in encouraging him during a video call to "maybe rip their heads off." In his squishy preaching of restraint, the author of Go the Fuck To Sleep (2011) loses some of his edge. And the narrative has a difficult time staying on track with all of its digressions, including minihistories of golems, the Jewish people, the Hasidic movement, and, for good measure, the Ku Klux Klan. There also is a long, uncommented-on excerpt from a Joseph Brodsky poem about race and a weird trip to Sweden by Len to confront an Airbnb scammer. Though there is much to enjoy, the book fails to make much of an impact.

A farcical spin on the Jewish plight.

Pub Date: Sept. 26, 2023

ISBN: 9780593729823

Page Count: 272

Publisher: One World/Random House

Review Posted Online: July 13, 2023

Kirkus Reviews Issue: Aug. 1, 2023

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THE MAN WHO LIVED UNDERGROUND

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

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A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.

Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

Pub Date: April 20, 2021

ISBN: 978-1-59853-676-8

Page Count: 240

Publisher: Library of America

Review Posted Online: March 16, 2021

Kirkus Reviews Issue: April 1, 2021

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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