A likable variation on a universal fucking theme.
Mansbach’s (Rage Is Back, 2013, etc.) second children’s book satire/foulmouthed balm for exhausted parents spotlights the agony of managing toddlers at mealtime.
Go the Fuck to Sleep, the 2011 surprise hit by the otherwise serious novelist, was a canny blend of Dr. Seuss’ patter and Irvine Welsh’s profanity, all the funnier for the oddness of its sweet-and-sour combination. The book became an international best-seller, and Mansbach is careful not to mess with success for the sequel. A new illustrator, Brozman, is on board, but the overall strategy remains the same: There’s a problem (picky eaters) introduced in a lilting pastoral lullaby (“The bunnies are munching on carrots…”) that is then undone at the end of each quatrain with some angry-dad sputtering (“The fucking meal’s served. Time to eat”). Every parent of a toddler endures a series of crises daily (cleaning up toys, going potty, picking out clothes), and this series is bound to be tediously repetitive should it continue. But Mansbach and Brozman do just enough here to entertainingly tweak the formula, particularly in terms of its art. Unlike Ricardo Cortés’ gentle, painterly illustrations for Sleep, Brozman’s are more overtly cartoonish and absurd, like a cheetah stoically tolerating a boy’s tableside slovenliness and a panda parent glumly pushing a shopping cart through a bamboo forest. Mansbach voices genuine frustration in a way that would be irresponsible in kid lit and unprofessional in parenting guides—it’s a joke that, like most good jokes, has a serious point behind it. The lines are sometimes rhythmically clumsy: “You’re not finished, and no, you can’t go to school / In pajamas, a hat, and bare feet.” A world of weary moms and dads deserves better scansion, but then nobody’s here for the poetry.
A likable variation on a universal fucking theme.Pub Date: Nov. 12, 2014
ISBN: 978-1-61775-378-7
Page Count: 32
Publisher: Akashic
Review Posted Online: Oct. 4, 2014
Kirkus Reviews Issue: Oct. 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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