A lukewarm legal tale that only comes alive in the second half.
A debut novel that combines the politics of big law firms, securities fraud and illicit affairs.
Mitzner’s tale follows the story of Alex Miller, who shares the author’s initials and occupation: defense attorney. Miller, married to Elizabeth and father to 5-year-old Charlotte, works for one of those huge law firms that expects its employees to work nearly around the clock. When Alex’s father dies, his father’s closest friend, Michael Ohlig, a wealthy securities trader, asks for Alex’s help. Ohlig expects to be indicted for securities fraud and wants Alex and his firm to represent him. Alex agrees, and Michael ponies up the $2 million retainer. Then beautiful Abby Sloane is assigned to the case as Alex’s second and the situation get predictably complicated from every angle: Alex finds himself drawn to her, the case heats up and things get personal with his mother, who has not been herself since her husband died. When everything starts slipping out of control, Alex faces both a personal challenge and a startling truth. The first half of the book reads like a tutorial on the operation of a big-city law firm. The author goes into dreary detail about every aspect of the securities case, even naming all of the associating attorneys and their clients, despite the fact that most of them never really surface again. Mitzner also has a tendency to over-explain the inner workings of the system from the lawyer’s point of view with the result that the first half reads more like a legal text than a work of fiction. In fact, the first chapters are so weighted down with legalese and filler (every meeting has a buffet, and the author provides a faithful rendition of the food choices) that the story surfaces as an afterthought. It’s not until the Mitzner moves past the securities phase that Alex becomes interesting and the story line picks up speed. Most readers aren’t going to wade through the first part to get to the second, which is a shame because that’s when the real storytelling begins.
A lukewarm legal tale that only comes alive in the second half.Pub Date: May 17, 2011
ISBN: 978-1-4391-5751-0
Page Count: 384
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: April 6, 2011
Kirkus Reviews Issue: March 15, 2011
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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