by Adam Mitzner ‧ RELEASE DATE: April 14, 2015
A worthy courtroom yarn that fans of John Grisham and Scott Turow will enjoy.
A tightly plotted, fast-paced legal thriller in which lies may serve justice better than the truth.
Defense attorney Aaron Littman should have known better. The chairman of a prominent New York law firm is a married man who once carried on a secret affair with a married federal judge. Unfortunately, someone knows. Rumor has it that Judge Faith Nichols may be in line for a Supreme Court nomination so long as the trial she's currently presiding over results in the conviction of the Russian “terrorist and murderer” Nicolai Garkov. The defendant has waived a jury trial, so his fate will be determined by Judge Nichols alone. Then Littman receives an offer of $100,000 to represent Garkov, who is widely considered to be guilty. Absolutely not, Littman replies, until Garkov blackmails him over the affair. And then the nasty surprises begin. Littman himself is falsely accused of murder. How can he defend himself without destroying his career and his marriage? You have to believe me is a refrain Littman frequently hears from his clients, and now he desperately wants the court and his wife to believe him. And then a trusted colleague reminds him that “[t]rials aren’t about the truth. They’re about winning.” That’s a good thing in this case, because the truth is damning, and lies may be the only way to an acquittal. The story moves along at a brisk clip, with a main character who's sympathetic despite his flaws. Maybe Littman will lose his wife and daughters. Maybe he'll spend the rest of his life in federal prison. Given the evidence that piles up against him, it’s hard to see how he escapes a guilty verdict. The ending is startling but feels contrived, the only blip in a well-crafted story.
A worthy courtroom yarn that fans of John Grisham and Scott Turow will enjoy.Pub Date: April 14, 2015
ISBN: 978-1-4767-6424-5
Page Count: 368
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Jan. 20, 2015
Kirkus Reviews Issue: Feb. 1, 2015
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by Adam Mitzner
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by Adam Mitzner
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by Adam Mitzner
by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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228
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Alex Michaelides ‧ RELEASE DATE: Feb. 5, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
Awards & Accolades
Likes
36
New York Times Bestseller
IndieBound Bestseller
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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