THE PERFECT MARRIAGE

Days after a party celebrating the perfect New York couple's first anniversary, the roster of guests who’ve survived it is suddenly decreased by one.

Jessica and James Sommers have the ideal marriage. Of course, every marriage has its hiccups. Realtor Jessica left her first husband, high school biology teacher Wayne Fiske, and art dealer James left his first wife, investment banker Haley Sommers, following an adulterous affair. Wayne has forgiven Jessica enough to show up at the party, and Haley, who’s had a lot of time on her hands since getting fired from her high-paying job, violates a restraining order to sneak in so she can interrupt the happy couple’s anniversary toasts by announcing exactly what she thinks of them. Jessica and Wayne’s 17-year-old son, Owen, who survived a bout of leukemia four years ago, is told that it’s returned and that the frightfully expensive experimental treatment his oncologist recommends won’t be covered by insurance. James, desperate to earn more money he can give Jessica for her son, lets Reid Warwick, who has his eye on Jessica, suck him into a highly questionable deal to sell some Jackson Pollock sketches of dubious provenance. In short, virtually everyone in the cast acts as if they have a target on their back, and it’s a shame that only one of them will get bashed to death. Once he’s created his sublimely bitchy ensemble of well-groomed users and losers, Mitzner lets them run amok, subject only to their amour propre and their determination not to knuckle under to NYPD Lt. Gabriel Velasquez’s plaintive requests for the DNA samples that will end up fingering the perp.

Delivers all the guilty pleasures the title promises and leaves you pathetically grateful for your own petty social circle.