Artful rhymes and radiant illustrations paint a loving picture in this charming work for young readers.
Motz presents a sweet tribute to love and family in this children’s picture book.
“Where do I come from?” is a common question that kids ask adults. This delightful work simplistically but sweetly answers, “I tell you, my child / that you come from love,” followed by 25 colorful pages detailing myriad ways that love can manifest. Whether it comes from “the universe,” “the stars,” and the “earth” or from “the song…sang at your birth,” love is shown to “lift you, again and again” and “carry you, now ’til the end.” Easy but powerful rhymes allude to dynamic themes of spirituality, ancestry, and family, allowing caretakers and their children to choose their own path regarding the subject. The book would work well as a quick bedtime story or an in-depth opportunity to explore the multiple ways to have a family and experience love. Illustrator Aspiras aids in emphasizing the beauty of diversity by using bold, striking colors to depict varied genders and cultures within a family. At the heart of most images are two small children in a picturesque world. Both adults and kids will be enchanted by the alluring, sweeping imagery on each page as they read that love is, in fact, all around.
Artful rhymes and radiant illustrations paint a loving picture in this charming work for young readers.Pub Date: April 4, 2023
ISBN: 9781662936234
Page Count: 31
Publisher: Gatekeeper Press
Review Posted Online: March 28, 2023
Kirkus Reviews Issue: May 1, 2023
Review Program: Kirkus Indie
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
Menacing and most likely to appeal to established fans of its co-creators.
Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.
In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.
Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780062644695
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2025
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