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ADAM AND THE GOLDEN HORSESHOE

From the Elite Team series

A B-show book from a main-event talent, explicitly intended for established fans.

A picture book paneled and paced like a graphic novel encouraging resilience and self-esteem.

The third installment in the Elite Team, an inspirational series from the eponymous professional wrestling stable, comes from Adam “Hangman” Page, a rising All Elite Wrestling star with a cowboy gimmick. In the book, although child Adam loves his guitar, he’s nervous about an upcoming talent show where he’ll compete among friends, recognizable as fellow stable members. After a few botches, Adam wants to quit, but his sentient boots offer a way out: a lucky golden horseshoe hidden in Aaron’s Creek, the adult Page persona’s kayfabe hometown. Page and series illustrator Coburn seem inspired by cinematic Westerns, as Adam vanquishes foes and conquers obstacles including a train robber (by losing his balance), a raging river (by holding on tight to a log), and a massive tornado (by lassoing it!). Dusty, full-color images in partial- and full-page panels consist of midaction freeze frames concentrated on characters’ expressions; all the critters Adam encounters resemble fellow wrestlers. Adam secures the Golden Horseshoe and, back home, triumphs at the talent show but realizes self-confidence is all he needed to win. Both story and moral are fairly predictable, and the wrestling-world references will exclude readers encountering them here for the first time. Though some of the wrestlers featured—including Page—have brownish skin, their real-life corollaries are all white males. People of color—and women—eventually appear, but only in backgrounds.

A B-show book from a main-event talent, explicitly intended for established fans. (author’s note) (Picture book. 5-8 )

Pub Date: May 24, 2020

ISBN: 978-0-9993886-2-4

Page Count: 40

Publisher: Trism Books

Review Posted Online: March 14, 2020

Kirkus Reviews Issue: April 1, 2020

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TINY T. REX AND THE IMPOSSIBLE HUG

Wins for compassion and for the refusal to let physical limitations hold one back.

With such short arms, how can Tiny T. Rex give a sad friend a hug?

Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.

Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)

Pub Date: March 5, 2019

ISBN: 978-1-4521-7033-6

Page Count: 48

Publisher: Chronicle Books

Review Posted Online: Nov. 11, 2018

Kirkus Reviews Issue: Dec. 1, 2018

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CLAYMATES

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 28, 2017

Kirkus Reviews Issue: April 15, 2017

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