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33 SNOWFISH

The bleak scenery of winter forms the backdrop to this tale of three runaways, bonded together to grasp feebly for emotional warmth. The reader meets Custis, Curl, and Boobie as they speed down the back roads of Illinois in a stolen car, with a stolen baby. Alternating narratives move back and forth through time, obliquely telling the characters’ individual stories even as their current drama unfolds. Custis is homeless, a fugitive from a child-porn producer; Curl is a drug-addicted prostitute; Boobie is a virtual cipher—his contributions to the narrative consist of increasingly violent and nihilistic sketches—who, the reader learns, has just killed his well-to-do parents and made off with his baby brother. They have no destination other than to get away from where they’ve been; they have a vague plan of selling the baby and using the money to set themselves up comfortably. Their “plan” is doomed from the start: the three, plus the baby, end up in an abandoned van in the middle of the woods, where first Curl dies and then Boobie vanishes into the snow. It is at this moment that Custis and the baby are taken in by Seldom, an ancient and eccentric black man who lives in a cabin and who begins to show Custis that maybe there is another way to live. With his customary ear for the language of the marginalized teen, Rapp (Little Chicago, 2002, etc.) allows his characters to present themselves with total un-self-consciousness, frankly and powerfully laying out the squalor of their existence without any seeming sense that life can be anything else but squalid. Seldom may himself seem rather like deus ex machina from a plotting perspective, but he serves to save both Custis and the narrative from utter annihilation. The snug warmth of Seldom’s home and the little family he and Custis and the baby have formed contrasts powerfully with the frigid internal winter that Custis has survived, allowing both Custis and the reader to hope for redemption. (Fiction. YA)

Pub Date: March 1, 2003

ISBN: 0-7636-1874-8

Page Count: 192

Publisher: Candlewick

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2003

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CHILDREN OF ANGUISH AND ANARCHY

From the Legacy of Orisha series , Vol. 3

A thrilling, climactic storm with an abrupt conclusion.

In this much-anticipated trilogy closer following 2019’s Children of Virtue and Vengeance, an enemy from a land across the sea carries out conquests to fulfill a prophecy that threatens the entire world.

The war between the maji and the crown of Orïsha ends when the Skulls, a tribe of masked, pale-skinned invaders, interrupt the pivotal battle, abducting Zélie, Tzain, Amari, Inan, and dozens of maji from their homeland. Caged on a ship and cut off from their magic, they have no choice but to set aside their bitterness and distrust to fight for their freedom. Ruthless and empowered by the volatile magic of bloodmetal weapons, the Skulls hunt for Zélie, “a girl with the blood of the sun,” at the command of their king, Baldyr, who prepares for his ascension to godhood during the Blood Moon. As much as she longs to return home, visions and an intertwined fate pull Zélie, along with her companions, to the land of New Gaīa in search of a girl with russet-brown skin and eyes that glitter like diamonds. United goals, fresh conflict, and impending doom provide invigorating gusts of momentum that push the story out of the doldrums of the previous book. On its own, this installment is a suspenseful and compelling expansion of the world, but as a series finale, the conflict seems disconnected from the first two books, and the resolution feels rushed.

A thrilling, climactic storm with an abrupt conclusion. (guide to clans) (Fantasy. 14-18)

Pub Date: June 25, 2024

ISBN: N/A

Page Count: 368

Publisher: Henry Holt

Review Posted Online: March 9, 2024

Kirkus Reviews Issue: April 1, 2024

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IF HE HAD BEEN WITH ME

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.

The finely drawn characters capture readers’ attention in this debut.

Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.   (Fiction. 14 & up)

Pub Date: April 1, 2013

ISBN: 978-1-4022-7782-5

Page Count: 336

Publisher: Sourcebooks Fire

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: March 1, 2013

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