A debut novel that dishes up one of the most delectable ingredients of all: fun.
An unemployed food writer agrees to ghostwrite a cookbook for an erratic starlet looking to revive her career and reputation.
“Dowdy” Isabella Pasternak is on the bottom rung of the career ladder, writing about things like chickpea trends and cheese options for Comestibles magazine. After unexpectedly stepping in to do an Instagram Live on chocolate soufflés that ends in disaster, she is unceremoniously fired. The same day, after rescuing her best friend, Owen, from a caviar catastrophe at his wealthy father’s birthday party, Isabella is rewarded with an opportunity via Owen’s dad: Ghostwrite a cookbook for one of his clients. Isabella initially balks; cookbooks are sacred to her, and she wants to be more than a mere ghostwriter. But the alternative—help her mother make “her signature Frankensoups” for soup kitchen patrons—is too anguishing. The client in question, Molly Babcock, isn’t about to make things easy. She’s everything Isabella expects from a disgraced actress who’s been in the tabloids more than on set. Molly is self-absorbed, vain, and often drunk—plus apparently uninterested in actually eating any food. But when Molly unexpectedly lets Isabella in on a key part of her past, the women’s professional and personal relationship grows suddenly more complicated, forcing Isabella to confront the kind of career she really wants, and the person she really wants to be. Roberts’ novel is a confection—satisfyingly over-the-top—but with complex notes; he has a true knack for understanding the ways that food rules every aspect of our lives, from the gourmet’s obsession to the shame and guilt surrounding indulgence. But even readers who don’t know a branzino from bearnaise will find plenty to enjoy here, from the colorful secondary characters to the zippy plot.
A debut novel that dishes up one of the most delectable ingredients of all: fun.Pub Date: May 20, 2025
ISBN: 9780593803837
Page Count: 320
Publisher: Knopf
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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