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HUMANIMAL

HOW HOMO SAPIENS BECAME NATURE’S MOST PARADOXICAL CREATURE—A NEW EVOLUTIONARY HISTORY

A smooth, expert, and often startling history that emphasizes that no behavior separates us from other animals, but we...

A lively exploration of “the epic meandering journey that every organism has made.”

That humans are conscious, cultured, and much cleverer than any other animal—but an animal nevertheless—is no secret to popular science writers. A steady stream of books explains how we got that way, and readers will not regret choosing this cheerful addition to the genre from British science journalist Rutherford (A Brief History of Everyone Who Ever Lived: The Human Story Retold Through Our Genes, 2017, etc.). Humans use tools, he explains, but many mammals and birds do the same. They are often no more than sticks poked into a hole to tease out food, but ingenious variations arise; many are adopted by others, becoming a rudimentary cultural element. In the author’s native Britain, out of 1,000 sexual acts that could result in a baby, only one actually does, as he reports in a long section shooting down the belief that only humans have sex for pleasure. The author then steps back, admitting that one can never know why nonhumans engage in nonproductive intercourse, but innumerable creatures do so. Readers under the illusion that behavior like homosexuality, anal intercourse, and even necrophilia are “contrary to nature” will learn that the opposite is true. Rutherford also ably explores current conceptions and focus on cooperation through communication. Animals can deliver signals, and a few ancestors of Homo sapiens may have talked, but we took it to a new level. “We transmit information,” writes the author, “not just via DNA down the generations, but in every direction, to people with whom we have no immediate biological ties. We log our knowledge and experience, and share them. It is in the teaching of others, the shaping of culture, and the telling of stories, that we created ourselves.”

A smooth, expert, and often startling history that emphasizes that no behavior separates us from other animals, but we remain an utterly unique species.

Pub Date: March 19, 2019

ISBN: 978-1-61519-531-2

Page Count: 272

Publisher: The Experiment

Review Posted Online: Dec. 8, 2018

Kirkus Reviews Issue: Jan. 1, 2019

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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