A strong contribution to conversations about racism, injustice, and violence, all of which continue to plague this country.
A cogent examination of the challenges America faces.
In a vigorous collection of more than a dozen essays, award-winning journalist Serwer, a staff writer at the Atlantic and former fellow at the Shorenstein Center at Harvard’s Kennedy School of Government, considers the social and ideological forces that led to Trump’s presidency and, without intervention, will continue to shape American society. Most essays, drawn from pieces published since 2016, are newly contextualized, and Serwer includes additional pieces on immigration, politics within the American Jewish community, the destructive impact of police unions, and the past and future of American authoritarianism. He argues persuasively that racism lies at the heart of Trumpism. Although the media focused on economic anxiety to account for Trump’s rise and continuing appeal, “the movement,” he asserts, “cannot be rescued from its bigotry,” which was intensified by Obama’s presidency. Trump’s supporters have found what they deeply wanted: “a president who embodies the rage they feel toward those they hate and fear, while reassuring them that that rage is nothing to be ashamed of.” Serwer underscores the prevalence of cruelty in American life, which Trump exacerbated. In “The Cruelty of the Covid Contract,” he sees that Trump’s refusal to deal with the pandemic was essentially racist. “The lives of disproportionately black and brown workers are being sacrificed to fuel the engine of a faltering economy, by a president who disdains them,” he writes. “This is the COVID contract.” In examining the claims of nativists and White supremacists, Serwer traces the roots of White nationalism to the American eugenics movement that influenced immigration policy in the 1920s and later fed Nazi ideology. In “The Cruelty of the Code of Silence,” he excoriates police unions for promoting the image of the police “as the lone barrier between civilization and barbarism,” characterizing the people they are meant to defend and protect as violent and uncontrollable.
A strong contribution to conversations about racism, injustice, and violence, all of which continue to plague this country.Pub Date: June 29, 2021
ISBN: 978-0-593-23080-0
Page Count: 384
Publisher: One World/Random House
Review Posted Online: May 17, 2021
Kirkus Reviews Issue: June 1, 2021
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.
A warts-and-all portrait of the famed techno-entrepreneur—and the warts are nearly beyond counting.
To call Elon Musk (b. 1971) “mercurial” is to undervalue the term; to call him a genius is incorrect. Instead, Musk has a gift for leveraging the genius of others in order to make things work. When they don’t, writes eminent biographer Isaacson, it’s because the notoriously headstrong Musk is so sure of himself that he charges ahead against the advice of others: “He does not like to share power.” In this sharp-edged biography, the author likens Musk to an earlier biographical subject, Steve Jobs. Given Musk’s recent political turn, born of the me-first libertarianism of the very rich, however, Henry Ford also comes to mind. What emerges clearly is that Musk, who may or may not have Asperger’s syndrome (“Empathy did not come naturally”), has nurtured several obsessions for years, apart from a passion for the letter X as both a brand and personal name. He firmly believes that “all requirements should be treated as recommendations”; that it is his destiny to make humankind a multi-planetary civilization through innovations in space travel; that government is generally an impediment and that “the thought police are gaining power”; and that “a maniacal sense of urgency” should guide his businesses. That need for speed has led to undeniable successes in beating schedules and competitors, but it has also wrought disaster: One of the most telling anecdotes in the book concerns Musk’s “demon mode” order to relocate thousands of Twitter servers from Sacramento to Portland at breakneck speed, which trashed big parts of the system for months. To judge by Isaacson’s account, that may have been by design, for Musk’s idea of creative destruction seems to mean mostly chaos.
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.Pub Date: Sept. 12, 2023
ISBN: 9781982181284
Page Count: 688
Publisher: Simon & Schuster
Review Posted Online: Sept. 12, 2023
Kirkus Reviews Issue: Oct. 15, 2023
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