by Adam Sisman ‧ RELEASE DATE: Aug. 1, 2001
Sisman draws inspiration from Boswell, exposing for the reader the inner mechanism of a masterpiece creation, and never...
Deconstructing Boswell’s classic Life of Johnson, former publisher Sisman reveals the process of making of this unique book and addresses fundamental questions about the nature of biography.
Sisman presents Boswell primarily in his role as friend and biographer of Samuel Johnson. Born into a family of Scottish gentry, educated in law, and craving recognition as a writer, Boswell met the renowned author when he was 22, and this fateful meeting became a turning point in his life. Gradually, Johnson became for Boswell a means of making sense of his own life, of achieving popularity for himself in the glow shed by his celebrity friend, and of gaining access to the heart of London’s literary and artistic circles. Over the course of their 21-year relationship, Boswell and Johnson repeatedly met in London, traveled in Scotland together, and exchanged many letters. Although distressed by the fact that his mentor did not mention him in his will, Boswell nevertheless eagerly volunteered to be Johnson’s biographer after his death. He initially published his journal documenting their tour of the Hebrides, which was marked by a strikingly innovative, informal tone—as well as surprisingly coarse details. This new style of biographical writing culminated in 1791 with the monumental Life of Johnson. Sisman describes the many obstacles that arose on Boswell’s path toward the completion of this project: uncontrollable bouts of drinking, whoring, and gambling, the death of his wife, and the failure of his political career. Throughout the text, Boswell accorded his own persona an unabashedly prominent position beside his main subject. Overall, the Life was a success, but the same characteristics that made the book so entertaining also provoked criticism: Boswell was reprimanded by many a prudish biographer of the day for going overboard in exposing Johnson’s idiosyncrasies, slovenly behavior, and hot temper. Over time, however, such probing into the great author’s inner life elicited increasing appreciation, as Boswell’s new breed of biography took root in European letters.
Sisman draws inspiration from Boswell, exposing for the reader the inner mechanism of a masterpiece creation, and never hesitating to provide lurid details about Boswell himself.Pub Date: Aug. 1, 2001
ISBN: 0-374-11561-3
Page Count: 400
Publisher: Hill and Wang/Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2001
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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