Recent years have brought drug-drenched efforts from well-established artists Pynchon and Lethem. Perhaps the kindest thing...
In a pallid sort of noir, a boy-man lurches through an aimless series of small adventures and stumbles into criminal behavior that eventually exacts its comeuppance.
Thirlwell (The Escape, 2010, etc.) starts this trying novel with a strong episode and a real sense of foreboding. His hero wakes up in a hotel with memory gaps and a friend named Romy, whose bloody, comatose state requires some quasi-comedic devices to get her to a hospital. That his sweet wife, Candy, accepts a ludicrous explanation for his overnight absence and bloody T-shirt when he returns home reflects not her credulity but the cosseting she thinks his semidepressive state requires. A spoiled only child, he’s in his early 30s, has quit working, has spent time in therapy and lives with Candy in his parents’ home. He attends parties and ponders his relationship with Romy, a line of thought that gets gnarly when one party turns into an orgy and one polymorphous grouping entails him, Candy and Romy. He drifts into crime, and the book’s noirish side grows darker. Throughout, he indulges in an endless diet of recreational drugs—“these increasing narcotic entertainments did make the way I thought perhaps a little blurred.” And there's the main problem: the squishy, doped-up, self-indulgent slacker-hipster voice and thinking of this first-person narrative is so well-rendered and so tiresome. Even if Thirlwell captures a type and time, was this a trophy worth aiming for? It calls for a tweak of Samuel Johnson’s dated line on a woman preaching and a dog walking on its hind legs: It is done well, but one is still surprised to find it done at all.
Recent years have brought drug-drenched efforts from well-established artists Pynchon and Lethem. Perhaps the kindest thing one can say is that the talented Thirlwell has gotten his literary substance abuse out of his system at an earlier age.Pub Date: April 14, 2015
ISBN: 978-0-374-29225-6
Page Count: 368
Publisher: Farrar, Straus and Giroux
Review Posted Online: Jan. 21, 2015
Kirkus Reviews Issue: Feb. 1, 2015
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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