An intriguing but uneven love story.
An advertising hotshot locks horns with a former fling in this workplace romance.
Craig Keller’s life is complicated. Though he’s the sexy and successful owner of one of Los Angeles’ hottest ad agencies and has money to burn, the 40-year-old also has twice-weekly therapy appointments. He must finally deal with the traumatic death of his beloved older brother (not to mention Craig’s issues with his father) and a custody arrangement for his two young children with his ex-wife, a frigid former model. Things only get worse when Hayden Towne, the “agency siren” with whom Craig’s been enjoying a red-hot affair, reveals post-coitus that she’s leaving the agency and poaching his clients to start her own firm. Determined not to let Hayden topple him professionally, Craig approaches competing agency Mitchell Vance & Mercer about a potential merger, so together they can conquer the increasingly digital world of advertising. The only problem? One of the partners, stunning redhead Jane Mercer, is also an ex-lover of Craig’s—and as she’s now married, she doesn’t want daily contact with him. Though Jane relents and the merger proceeds, she doesn’t want anything to do with Craig until one fateful day when their tentative truce turns hotly physical. But what happens when the once-irrepressible bad boy starts catching feelings for his new colleague? Royce grew up in LA and once worked as a Las Vegas marketing and PR executive, and clearly the fast pace and constant drama of the world are as enjoyable for her to write about as they are to read. But it’s difficult to root for a character that is dubbed a “sexist pig” in the first few pages and, over the course of the book, does very little to remedy that image. Craig comments on the appearance of nearly every woman he encounters and crosses professional boundaries more than once—including a one-night stand with a potential business partner, an older woman whom he describes in insulting terms. He never really seems to change even when that stasis means hurting others.
An intriguing but uneven love story.Pub Date: May 3, 2021
ISBN: 978-1-951130-77-0
Page Count: 278
Publisher: Dagmar Miura
Review Posted Online: July 6, 2022
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
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