Big brother Duane is off in boot camp, and Justin is left trying to hold the parental units together. Fat, acne-ridden, and missing his best friend Ben, who’s in the throes of his first boy-girl relationship with Cass, Justin’s world is dreary. It gets worse when he realizes that all of his mother’s suspicions about his father are probably true, and that Dad may not return from his latest business trip. Surprisingly ultra-cool Jemmie, who is also missing her best friend, Cass, actually recognizes his existence and her grandmother invites Justin to use their piano in the afternoons when Jemmie’s at cross-country practice. The “big nothing” place, where Justin retreats in time of trouble, is a rhythmic world and soon begins to include melody and provide Justin with a place to express himself. Practice and discipline accompany this gradual exploration of his talent. The impending war in Iraq gives this story a definite place in time, and its distinct characters make it satisfying and surprisingly realistic. Misfit finds fit. (Fiction. YA)
Pub Date: Oct. 1, 2004
ISBN: 1-56145-326-9
Page Count: 224
Publisher: Peachtree
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
1882
Pub Date: Jan. 1, 2000
ISBN: 0-689-82979-5
Page Count: 32
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 1999
Themes of freedom and responsibility twine between the lines of this short but heavy novel from the author of Because of Winn-Dixie (2000). Three months after his mother's death, Rob and his father are living in a small-town Florida motel, each nursing sharp, private pain. On the same day Rob has two astonishing encounters: first, he stumbles upon a caged tiger in the woods behind the motel; then he meets Sistine, a new classmate responding to her parents' breakup with ready fists and a big chip on her shoulder. About to burst with his secret, Rob confides in Sistine, who instantly declares that the tiger must be freed. As Rob quickly develops a yen for Sistine's company that gives her plenty of emotional leverage, and the keys to the cage almost literally drop into his hands, credible plotting plainly takes a back seat to character delineation here. And both struggle for visibility beneath a wagonload of symbol and metaphor: the real tiger (and the inevitable recitation of Blake's poem); the cage; Rob's dream of Sistine riding away on the beast's back; a mysterious skin condition on Rob's legs that develops after his mother's death; a series of wooden figurines that he whittles; a larger-than-life African-American housekeeper at the motel who dispenses wisdom with nearly every utterance; and the climax itself, which is signaled from the start. It's all so freighted with layers of significance that, like Lois Lowry's Gathering Blue (2000), Anne Mazer's Oxboy (1995), or, further back, Julia Cunningham's Dorp Dead (1965), it becomes more an exercise in analysis than a living, breathing story. Still, the tiger, "burning bright" with magnificent, feral presence, does make an arresting central image. (Fiction. 10-12)
Pub Date: March 1, 2001
ISBN: 0-7636-0911-0
Page Count: 128
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2001
BOOK TO SCREEN
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