Goofy academic struggles for those who need a break in the faculty lounge.
A comical novel about life at a zany community college, from debut author Pearson.
When Charlie gets the job of special projects coordinator at Cow Eye Community College, he’s not quite sure what to expect, especially after his bizarre phone interview: “Several questions concerned my relevant experience in highly divisive work environments and how I might resolve a series of hypothetical conflicts—for example, what I would do if one of my colleagues tried to sever the head of a key administrator.” Nevertheless, after a long bus ride to the town of Cow Eye Junction, Charlie is met by the man in charge, Dr. Felch. Charlie, he’s told, is replacing the last special projects coordinator, who had “countless awards and commendations. References from the Queen of England and Archduke of Canterbury” (though she turned out to be an “unmitigated disaster”). His goals seem relatively simple: ensure that the school maintains accreditation and plan the annual Christmas party. Unfortunately, those directives are anything but. The constantly feuding, eccentric faculty doesn’t help. Sam Middleton, a medieval poetry expert, is a “card-carrying institutional anarchist,” while Alan Long River, the public speaking teacher, “hadn’t spoken a word to anybody at the college—his students included—for more than twelve years.” Bureaucracy rules the school, and opportunities for conflict and adventure are many, including a team-building exercise in which new hires must castrate a calf and heated focus groups; one of the institutional researchers has “been very adamant that no educational endeavor should be attempted without first conducting a focus group or a survey of some kind.” Whether or not this mix proves humorous depends on the reader’s patience for tongue-in-cheek jokes about backwardness (“the unfamiliar voice belonged to the college’s tenured negroid’”) and adjunct professors (“We’re not allowed to refer to them by name”). Ambitious in its creation of this kooky world, the book will certainly strike a chord with readers lost in their own wacky arenas of academic bickering. Others may be bored by lengthy orientation sessions and party planning, as with the seating arrangement for the Christmas party: “We’ve also made sure to bring them together politically, economically, and ethnically. In each group there will be at least one laissez-faire capitalist and one left-leaning socialist. One centrist and one anarchist. One tenured faculty member and one who is non-tenured. One white, one Asian. A lumper and a splitter. A Catholic and a Protestant. Sikh and Hindu. Jew and jihadist. Social scientist and actual scientist. Vegetarian and anti-vegetarian.”
Goofy academic struggles for those who need a break in the faculty lounge.Pub Date: April 15, 2015
ISBN: 978-0990915027
Page Count: 540
Publisher: Cow Eye Press
Review Posted Online: Jan. 26, 2015
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
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Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
BOOK TO SCREEN
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