Harun's novel reverberates with nostalgia, psychological insight, and the sacredness of community.
An intimate look at a small Pacific Northwest town and the complex lives of its people.
In early 1963, in order to reinvigorate the American people after the nervous terrors of the Cuban missile crisis, President John F. Kennedy had an idea for a national event that could bring folks together and make a show of the country’s spirit. It was called “The Big Walk,” and it was originally aimed at the Marine Corps—a challenge to walk 50 miles in 20 hours. Soon people all over the country had taken up the challenge and with grit, stamina, and patriotic fervor, planned out and hiked 50 mile paths in and around their towns and cities. This community effort is the framing device of Harun’s novel, a premise that works extremely well not only as a way to delineate her characters as they painstakingly traverse the thick woods and hunters’ paths of the Washington coast and forestland, but also thematically, as a metaphor for the ways in which these people climb, slip, stumble, bump, and redirect themselves through their lives. The residents of Humtown making up this motley pack of sojourners include the local gossip, who happens to be the town’s sole phone operator; a teenage girl, desperately afraid of her abusive brother, with a stolen item to dispose of; a recently widowed schoolteacher racked by grief and plagued by thoughts of suicide; a cheerful yet peculiar man who may or may not be a Catholic priest; and an assortment of Boy Scouts and old-time farmers with naturalist skills to display and courage to prove. Overshadowing all in this exceptionally well-drawn, dusky world is the eerie disappearance of a young mother and her two children, the husband likely enough responsible for it but with no evidence against him, a dark man skittering nervously, threateningly round the edges of the group’s physically punishing, ultimately redemptive path.
Harun's novel reverberates with nostalgia, psychological insight, and the sacredness of community.Pub Date: Sept. 15, 2023
ISBN: 9781946724656
Page Count: 248
Publisher: Acre
Review Posted Online: July 13, 2023
Kirkus Reviews Issue: Aug. 1, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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