by Adrienne Mayor ‧ RELEASE DATE: Nov. 13, 2018
A collection of wondrous tales that present ancient myths as the proto–science fiction stories they are.
A fascinating unpacking of ancient myths that feature robots and other lifelike beings, some of which bear an eerie resemblance to modern technology.
More than 2,000 years ago, Greek thinkers were already envisioning the spectacular potential of being “made, not born.” As Mayor (The Amazons: Lives and Legends of Warrior Women Across the Ancient World, 2014, etc.), a research scholar in classics and the history of science at Stanford, writes, during ancient times, “we…find a remarkable set of concepts and ideas that arose in mythology, stories that envisioned ways of imitating, augmenting, and surpassing natural life by means that might be termed bio-techne, ‘life through craft’…ancient versions of what we now call biotechnology.” The bronze giant Talos, protector of Crete, appears in numerous poems and artworks, some dating to 500 B.C.E.; Jason, of the Argonauts, is depicted as battling a phalanx of robotlike soldiers sprung from the earth and programmed to kill. Of course, these episodes are fiction, but they reveal the sophistication of the ancients’ imagined automata. In her meticulous research, the author discovers that the Greeks were hardly alone in conceiving mechanistic warriors, servants, or evil human replicas. Surviving myths from Rome, India, and China also explore ideas of artificial life and intelligence. In her insightful analyses of these tales, Mayor is approachable and engaging, and she infuses many familiar stories with new energy in the context of technology. She adroitly explores the ethical aspects of artificial life, addressing big questions about sentience and agency through the lens of ancient ideas. She also makes a convincing argument that these imagined machines anticipated advances that are considered cutting-edge today. Ultimately, she leaves readers in awe of these thinkers who dreamed of “androids” long before it was conceivable to build them.
A collection of wondrous tales that present ancient myths as the proto–science fiction stories they are.Pub Date: Nov. 13, 2018
ISBN: 978-0-691-18351-0
Page Count: 280
Publisher: Princeton Univ.
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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