Award-winning poet Rich offers a new volume of collected essays (Blood, Bread, and Poetry, 1986, etc.) that feature her distinct blend of feminist polemics and sharp-sighted analysis of the American condition, spiced with verses from a range of kindred spirits. Poetry is as necessary as food, shelter, education, and other human basics, Rich asserts, exploring the relationship between a poet's social responsibility and the world of experience that provides poetry's raw material. The notion of artist-activists remains primary even as Rich acknowledges that poetry, with limited ``value'' in a market economy as entrenched as ours, has been effectively marginalized. The struggle for political power through poetic expression is an engagement on many fronts, as minority voices speak out along with oppressed women, the poor along with the gay community. Quoting Muriel Rukeyser, June Jordan, and others to emphasize that poetry can convey valuable messages of social redemption, Rich also draws on sources from Trotsky to Wallace Stevens to illustrate her own educational path. Her understanding that racism and sexism are integral parts of the social landscape wasn't attained overnight, and the painful process of emergence from an early life of privileged narrowness into a fuller awareness is recounted at length. The transformative, conjuring power of poetry is reaffirmed throughout, with its potential impact enhanced as it finds its rightful place in the cultural mainstream. Challenging and rewarding as always, although at times the essays serve as little more than venues for the poetry and words of others. In giving access to lesser-known but like-minded writers, Rich has reduced her own presence—a disappointing trade-off.
Pub Date: Oct. 1, 1993
ISBN: 0-393-03565-4
Page Count: 224
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1993
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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