With intimate word paintings of historical characters—Rasputin makes an appearance—and with a strong-willed heroine, Sharp's...
Sharp lifts a real-life figure from history, one Mathilde Kschessinska, prima ballerina assoluta of St. Petersburg's Imperial Ballet, for this saga of romance and glamour, intrigue and revolution.
Sharp imagines Nicholas II, the Tsar-to-be, introduced to young Mathilde upon her ballet-school graduation during the waning years of the 19th century. The royal Romanovs, the Imperial Court and all that is high culture in Russia decorate the city of St. Petersburg, and many of the Imperial Ballet's young ballerinas decorate the arms of the nobility. Mathilde fancies young Nicholas, and a chaste romance begins. Mathilde finally lures him into her bed, but Nicholas does not want to marry a commoner, and so he pursues a reluctant Princess Alix of Hesse-Darmstadt. The illicit, and intermittent, romance between Mathilde and Nicholas continues after the royal marriage but is tinged by the Tsar's melancholy over siring four daughters before the birth of a male heir, one plagued by hemophilia. In the meantime, Mathilde has borne the Tsar's bastard son. Amid revolutionary fervor and the onset of World War I, the royal family co-opts Mathilde's son to serve as surrogate upon the expected death of Alexei. And then revolution, with the Tsar abdicating and Mathilde stripped of all the trappings and wealth of a royal consort. Sharp's book may move slowly for some readers, but the author's knowledge of the ballet and her lush, descriptive writing give depth and resonance to this imagined history.
With intimate word paintings of historical characters—Rasputin makes an appearance—and with a strong-willed heroine, Sharp's novel will appeal to lovers of the genre.Pub Date: Nov. 2, 2010
ISBN: 978-0-374-20730-4
Page Count: 384
Publisher: Farrar, Straus and Giroux
Review Posted Online: Sept. 22, 2010
Kirkus Reviews Issue: Oct. 15, 2010
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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