A book to be savored rather than devoured.
Sofi longs to become a Musik and struggles with being outshone.
When the king declares that the five members of the Guild of Musiks must step down to make way for a new generation, Sofi thinks she finally has the chance to follow in her lutenist father’s footsteps and serve as his Apprentice. At the audition, however, she is upstaged by Lara, a newcomer who doesn’t even own a lute. Musicians must refrain from using magic or be Redlisted and forbidden from ever playing again. This is especially true of the Musiks and their Apprentices, who serve as the sole ambassadors and contact between Aell and the rest of the world. Though Lara does appear to be a Paper-caster, Sofi suspects her of using magic to rig the audition. To prove Lara’s guilt, Sofi offers to come with her on tour and ghostwrite her songs. As Sofi sticks to Lara in order to spy on her, she finds herself growing emotionally close to her as well. The pacing is slow and contemplative, with frequent stops to contrast Sofi’s strict training regimen with Lara’s passion for music. This juxtaposition both serves the plot and forms a running commentary on the dangers of suffering for one’s art. The magic system is easy to understand while also possessing depth. A beautiful ending speaks to the powers of both catharsis and emotional healing. Main characters read as White.
A book to be savored rather than devoured. (Fantasy. 12-18)Pub Date: April 19, 2022
ISBN: 978-1-5344-8436-8
Page Count: 416
Publisher: McElderry
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
SEEN & HEARD
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
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