by Aesop & developed by TabTale ‧ RELEASE DATE: May 6, 2011
Plenty of superficial child appeal, but the writer and the illustrator remain deservedly cloaked in anonymity.
Bright, busy and oh-so-bland cartoons positively festooned with touch-activated effects carry this newly rhymed version of the classic fable.
No one's going to visit this for the labored text. It sacrifices scansion to rhyme, pounds the moral home and ends on a trite note (“Tortoise and Hare remain friends to this day, / Enjoying the sunshine as they work and play”). At least it, along with the relentlessly chipper British narrator, can be switched off—unlike the sound effects and the brassy, short-looped musical track. Children are likely to care less about the plot anyway than the interactions. They can make the racers and many of the animal onlookers in the woodsy scenes leap and giggle, hiss, chirp, chuckle, nod, cheer, pant, flap wings, blink or (even Tortoise does this, and during the actual race, too) pop into and out of shells with a touch. In service to repeat visitors who may be less interested in the story than in the effects, a button visible on every screen in both the manual and the “Auto Play” options opens a menu with access to a strip of thumbnails to expedite fast navigation. That same menu, plus multiple links at beginning and end offer easy access to the publisher’s other titles in the App Store.
Plenty of superficial child appeal, but the writer and the illustrator remain deservedly cloaked in anonymity. (iPad storybook app. 4-6)Pub Date: May 6, 2011
ISBN: N/A
Page Count: -
Publisher: TabTale
Review Posted Online: May 26, 2011
Kirkus Reviews Issue: June 15, 2011
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by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: Dec. 24, 2019
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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by Drew Daywalt ; illustrated by Oliver Jeffers
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by Drew Daywalt & illustrated by Oliver Jeffers
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