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WRITING AND MADNESS IN A TIME OF TERROR

A MEMOIR

A courageous account of a challenging life that ultimately becomes an exhausting read.

A woman forced to flee Iran with her family battles lifelong mental illness, racism, and sexual abuse in this debut memoir.

When Iran descended into violent revolution, debut author Majidi’s family, which had close ties to the shah, was compelled to escape to New Jersey. The clan was plunged into turmoil—her siblings turned angry and reckless, her mother sought comfort in alcohol, and her father plummeted into a deep depression. In addition to financial hardship—her family’s savings was marooned in Iran—Majidi also weathered social and cultural isolation. She scored some measure of solace in academic achievement in high school, but she was plagued by a pendulum swing between anxiety and depression and fell into an abusive relationship with a possessive 19-year-old man. She went to Barnard College and later earned an MFA in writing from the New School, discovering a love of literature and creative production. But she was repeatedly victimized by craven men and raped by two colleagues while she worked for Rolling Stone magazine. Majidi pressed charges, but she was never quite taken seriously by the authorities, and it became increasingly clear that justice would never be delivered. The author fell in love with her married writing instructor, James, and when he turned his back on her, she obsessively stalked him for years and sent him thousands of emails. She became engulfed by paranoid delusions, convinced her novel had been stolen for politically conspiratorial purposes and was somehow responsible for fomenting tumult in Iran and that her home was filled with poisonous gas. The author bravely explores three explosive issues—mental illness, racism, and misogyny—with bracing candor. In addition, she provides an engrossing and timely look at the way women of color are doubly objectified, as exotic sexual quarry and as individuals worthy of contempt. But her ambitious account should have been pared down considerably—Majidi buries readers under an accumulation of autobiographical facts that eventually turn into a cumbrous weight. Finally, readers be warned: This is not a story of inspiring redemption—it begins and ends with acid bitterness.

A courageous account of a challenging life that ultimately becomes an exhausting read.

Pub Date: Dec. 6, 2017

ISBN: 978-1-973484-17-2

Page Count: 335

Publisher: CreateSpace

Review Posted Online: Jan. 24, 2018

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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