by Agnes Borinsky ‧ RELEASE DATE: Nov. 10, 2020
A sensitive and vulnerable story of self-growth.
Everything about White, Jewish, 17-year-old Sasha Masha’s life feels wrong. Polite smiles and good grades mask underlying surges of sadness. When Sasha Masha’s bold, queer best friend moves away, junior year becomes a time of grappling with identity outside of this friendship. An unexpected romance blossoms with Black girl Tracy, an academic superstar, and for the first time Sasha Masha starts to feel like a “Real” person. Despite how much Sasha Masha wants a relationship with Tracy, it’s a struggle to open up and express that something feels wrong until desperation leads to a community meeting of queer teens. Written in the first-person, this coming-of-age story offers an intimate view of self-discovery. Queer community and history play a refreshing significance in Sasha Masha’s personal revelations. Finding a name is a turning point within the narrative, so for most of the book other characters use Sasha Masha’s deadname. Characters model consent within their relationships, demonstrating the importance of asking before making any physical advance. The small cast of characters shows awareness of diversity and the impact of racial privilege. Unlike in many coming-out stories, Sasha Masha doesn’t arrive at a clear resolution possessing all the answers, instead displaying a sense of peace with the ongoing journey ahead.
A sensitive and vulnerable story of self-growth. (appendix) (Fiction. 14-18)Pub Date: Nov. 10, 2020
ISBN: 978-0-374-31080-6
Page Count: 240
Publisher: Farrar, Straus and Giroux
Review Posted Online: Aug. 27, 2020
Kirkus Reviews Issue: Sept. 15, 2020
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by Laura Nowlin ‧ RELEASE DATE: April 1, 2013
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
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by Laura Nowlin
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SEEN & HEARD
by Lauren Roberts ‧ RELEASE DATE: Nov. 7, 2023
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
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