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LEFT BANK

ART, PASSION, AND THE REBIRTH OF PARIS, 1940-50

An animated, abundantly populated history of dramatic times.

A detailed chronicle of a decade alive with intellectual and political ferment.

London-based journalist Poirier (Touché: A French Woman’s Take on the English, 1997), a panel member of the BBC’s weekly program Dateline London, offers a gossipy, well-informed cultural history of her native Paris, beginning in 1938, with Europe on the brink of war, and ending in 1949, with the Marshall Plan in effect to help the continent recover. Organizing the book chronologically, she follows the lives of artists, writers, musicians, publishers, and performers—mostly French and American—deftly creating “a collage of images, a kaleidoscope of destinies” from memoirs, histories, biographies, and the writers’ own prolific work. While some of her cast of characters (Hemingway, Sylvia Beach, Adrienne Monnier) have minor roles, others are more prominent, notably Sartre, de Beauvoir, and Camus, along with their many lovers. The decade saw the publication of some of the most influential books of the 20th century, including Sartre’s Being and Nothingness, which catapulted the philosopher to international fame; de Beauvoir’s The Second Sex, which became a bible for feminism; Arthur Koestler’s Darkness at Noon, which revealed the author’s bitter disillusionment with communism; and Samuel Beckett’s iconoclastic play Waiting for Godot. These writers, and many others, shared their ideas in print—in the journals Les Temps Modernes, founded by Sartre and de Beauvoir; and Combat, edited by Camus—and also when they met at cafes, bars, restaurants, galleries, and theaters. Living in cheap hotel rooms or chilly apartments, they spent little time at home. Romantic liaisons were as passionate as debates over the future of Europe. “For Paris existentialists,” Poirier writes, “friendship seemed as complicated as love. Fallings-out and reconciliations came in quick succession, politics and sex playing a central part.” By 1948, Paris had become “the capital of sin and moral ambiguity,” attracting hordes of Americans (Norman Mailer, Richard Wright, James Baldwin), some funded by the GI Bill.

An animated, abundantly populated history of dramatic times.

Pub Date: Feb. 13, 2018

ISBN: 978-1-62779-024-6

Page Count: 352

Publisher: Henry Holt

Review Posted Online: Oct. 9, 2017

Kirkus Reviews Issue: Nov. 1, 2017

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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