by Agostino Traini ; illustrated by Agostino Traini ‧ RELEASE DATE: Feb. 7, 2017
More homily than history—and bland to boot.
A pop-up introduction to the great Christian reformer.
In Traini’s seven compositionally similar tableaux, simply drawn cartoon figures—all white until a diverse mix of worshipers from the past and present gathers at the end—pop up to look on wide-eyed, along with lots of small cute forest creatures, at select incidents in Luther’s career. As a disclaimer has it, the uncredited and decidedly sketchy narrative is the “popular” version: after being caught in a storm that prompts him to promise God to become a monk if he survives (according to his own account, he appealed to St. Anne), Martin goes on to discover in the Bible “the very good news that we are saved by faith!” Following his 95 theses (totally unexplained) and refusal to recant before the ruler of the Holy Roman Empire, he is temporarily kidnapped for his own safety, later produces a German Bible and other writings, and inspires “a reformation of the church” that is still ongoing so long as “we read the Bible, listen to the Holy Spirit, and follow Jesus in faith.” Readers interested in specific dates, biographical details, or even a general picture of Luther’s times will have to look elsewhere.
More homily than history—and bland to boot. (Informational pop-up picture book. 6-8)Pub Date: Feb. 7, 2017
ISBN: 978-1-5064-2192-6
Page Count: 14
Publisher: Sparkhouse
Review Posted Online: March 14, 2017
Kirkus Reviews Issue: Dec. 1, 2017
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by Barbara Krasner ; illustrated by Kelsey Garrity-Riley ‧ RELEASE DATE: Sept. 1, 2014
Readers who pursue the context will discover that the girl who became an Israeli prime minister had a social conscience.
A group of school friends provides Golda Meir with her first leadership test.
Golda is the child of Russian-Jewish immigrants living in Milwaukee when she becomes active in the American Young Sisters Society. As their president, Golda tasks them to raise money to buy new textbooks for classmates. The neighborhood is very poor, and pennies are precious to the shoppers who patronize her parents’ store, so it’s no easy feat. The young girl is highly motivated and struggles to write a speech for a fundraiser, finally deciding to “speak from my heart.” The event is a success, and Golda immediately decides to found a new group and “be [its] president!” In her first book for children, Krasner presents a pleasantly fictionalized story about a future world leader. Garrity-Riley’s digitally manipulated gouache-and-collage illustrations are a nice accompaniment featuring wallpaper backgrounds and fashionable period clothing. However the overall effect, with so many washed-out browns and blues, is drab. Pale circles of cheek blush on the characters bring to mind pages from a shopping catalog. Stopping short of Meir’s Zionist passion and move to Palestine, the book forces readers to consult the biographical note to understand why Goldie is important beyond the story.
Readers who pursue the context will discover that the girl who became an Israeli prime minister had a social conscience. (photographs, places to visit, bibliography) (Picture book. 6-8)Pub Date: Sept. 1, 2014
ISBN: 978-1-4677-1200-2
Page Count: 32
Publisher: Kar-Ben
Review Posted Online: June 24, 2014
Kirkus Reviews Issue: July 15, 2014
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by Sherry Garland ; illustrated by Julie Dupré Buckner ‧ RELEASE DATE: Feb. 1, 2016
Painfully parochial.
A wide-angled overview of the settling of the American West in first-person, free-verse poems.
As the title implies, the era is regarded, even by the few non-Anglo witnesses, from a decidedly Eurocentric point of view. Garland opens with statements from Sacagawea (the only Native American), trapper Jedediah Smith, and George Catlin, but all of her other “voices” are anonymous ones ("I am a girl walking along the Oregon Trail") until Annie Oakley steps in toward the end. The observations are largely likewise generic—“Since the Louisiana Purchase twenty-two years ago, / trappers have been depleting the beaver everywhere,” complains Smith. They are occasionally cringe-inducing: the Chinese railroad worker is proud to have earned “respect from our bosses for a job well-done,” and the “Buffalo Soldier” identifies himself as “a former slave / who joined this all-Negro regiment in 1866.” A long historical note displays similar lack of sensitivity, capped by a claim that the Indian Wars were started by “renegades” out for payback for the slaughter of the buffalo. Depicted in period dress and settings, most of the improbably clean, largely light-skinned figures in Buckner’s painted portraits look directly at readers. The chronologically arranged entries end with a modern child at a rodeo, observing that “today the Indians wear boots and hats and jeans. / But for a little while, in front of cheering crowds, / the old Wild West lives once again.”
Painfully parochial. (glossary, map, bibliographies) (Informational picture book/poetry. 6-8)Pub Date: Feb. 1, 2016
ISBN: 978-1-4556-1961-0
Page Count: 40
Publisher: Pelican
Review Posted Online: Dec. 7, 2015
Kirkus Reviews Issue: Dec. 15, 2015
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by Sherry Garland & illustrated by Ronald Himler
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by Sherry Garland & illustrated by Trina Schart Hyman
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by Sherry Garland & illustrated by Ted Rand
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