Though the science can get a little lite, this offers an informative, readable introduction to recent scholarship on the...
An anthropologist ponders the better angels of our nature—the ones armed with paintbrushes, notebooks, cameras, and plowshares.
According to Fuentes (Chair, Anthropology/Univ. of Notre Dame), an essential component of human nature is our ability to work the trove of materials made available to us by virtue of our “symbolic inheritance.” Our creativity is thereby an essential component of what makes us human; so, too, is our ability to work together in creative ways for creative ends, for what the author calls a “cocktail of creativity and collaboration.” The condensed tail of evolution, in that scheme, has a vulnerable gaggle of newly terrestrial simians figuring out how to fend off hunger, predation, illness, and other threats existential and otherwise while filling our lives with meaning and hope, allowing our kind “to reshape their world, thereby reshaping themselves.” It’s a pleasing vision and one decidedly more optimistic than the naked-ape-with-guns portraits of a past generation of anthropologists. Still, it’s one that requires only a few case studies to wrap up, and regrettably, part of the author's creativity turns on saying the same thing in numerous ways, with multiple variations on that trope that working together is a good thing and one that distinguishes us from other animals, which “do some ratcheting and scaffolding, but…lack the human combination of discovery, innovation, cooperation, and information transfer.” The diverse studies in creativity are good ones, though, encompassing everything from conflict resolution to learning how to use fire to cook—not just red meat, but fish and vegetables as well. Fuentes frowns on a few predictable things, like racism and war, but also on the paleo diet.
Though the science can get a little lite, this offers an informative, readable introduction to recent scholarship on the anthropology of creativity.Pub Date: March 14, 2017
ISBN: 978-1-101-98394-2
Page Count: 352
Publisher: Dutton
Review Posted Online: Dec. 25, 2016
Kirkus Reviews Issue: Jan. 15, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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