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I WILL NEVER SEE THE WORLD AGAIN

THE MEMOIR OF AN IMPRISONED WRITER

An inspiring account of the writing life and a chilling glimpse of authoritarianism’s slippery slope.

Stark, compact essays about a writer’s imprisonment in an increasingly authoritarian Turkey.

In early 2018, Altan (Like a Sword Wound, 2018, etc.), an acclaimed novelist and essayist, was sentenced to life in prison for treason based on televised comments regarding a failed 2016 coup against Turkish President Recep Tayyip Erdoğan. As Philippe Sands recalls in his foreword, “[Altan] spoke with passion and courage, intelligence and humor on the writer’s place in a decent society.” This recollection aptly reflects this slim compendium of essays, produced by Altan while imprisoned. He sketches the arc of his descent into a demeaning carceral nightmare, beginning with charges of broadcasting “subliminal messages” in support of the coup. Later, this was changed to “putschism,” for which he was convicted; one judge cynically told him, “our prosecutors like using words the meanings of which they don’t know.” Altan was jailed alongside many intellectuals and military officers, and the first essays reflect their initial responses to incarceration. “In a matter of hours,” he writes, “I had travelled across five centuries to arrive at the dungeons of the Inquisition.” The author acknowledges the harrowing nature of his ordeal, and he positions himself in the tradition of imprisoned writers who respond to their plight by acknowledging its surreal qualities. “I had seen the monstrous face of reality,” he writes. “From now on I would live like a man clinging to a single branch.” While horrified by his eventual life sentence, he became determined to use the writer’s tools and identity to fight both inner despair and his government’s persecution: “I must confess that even from within a dark cell, the idea of fighting filled me with such exuberance that I was saying ‘To the end,’ with excitement.” This spirit infuses the book and lends rhythmic urgency to Altan’s voice as he reflects on the intensity of life in a cell, the plights of fellow prisoners, and how to recall loved ones without succumbing to despair.

An inspiring account of the writing life and a chilling glimpse of authoritarianism’s slippery slope.

Pub Date: Oct. 1, 2019

ISBN: 978-1-59051-992-9

Page Count: 224

Publisher: Other Press

Review Posted Online: Aug. 18, 2019

Kirkus Reviews Issue: Sept. 1, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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