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CALLING THE MOON

16 PERIOD STORIES FROM BIPOC AUTHORS

A powerful, vibrant, and empowering celebration of an important milestone.

Sixteen short stories and poems from well-known and award-winning authors explore how young people experience and celebrate their periods.

The protagonists in this excellent, accessible middle-grade collection are all tweens and teens who are Black, Indigenous, and people of color with different cultural and faith-based beliefs, traditions, and reservations about their periods. Christina Soontornvat’s sweet and funny opening story, “The Rules of the Lake,” places a sixth grader’s first period during a much-anticipated field trip to a lake. In Ibi Zoboi’s touching “Bloodline,” 12-year-old Adjoa participates in a New Moon Rebirth ceremony in which she receives a special gift passed down from mothers to daughters in her family. Erin Entrada Kelly’s “Mother Mary, Do You Bleed?” follows a Filipina American Catholic girl who contemplates whether Jesus’ mother also had her period. While most of the stories are heartwarming and emphasize renewal and rest, the authors also delve into how their characters deal with challenges like sexism, racism, microaggressions, immigration, religion, deadnaming (one character is nonbinary), addiction, divorce, and grief. Guadalupe Garcia McCall’s emotionally resonant “Ofrendas,” for example, features three sisters, 10, 12, and 13, reeling in the aftermath of their mother’s sudden death. This is a memorable anthology featuring uniformly strong entries from broadly diverse voices that delve into the subject matter in ways ideally suited to the target audience.

A powerful, vibrant, and empowering celebration of an important milestone. (letter from the editors, resources) (Anthology. 9-13)

Pub Date: March 28, 2023

ISBN: 978-1-5362-1634-9

Page Count: 368

Publisher: Candlewick

Review Posted Online: Dec. 23, 2022

Kirkus Reviews Issue: Jan. 15, 2023

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TUCK EVERLASTING

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...

At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever. 

Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it. 

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the first week in August when this takes place to "the highest seat of a Ferris wheel when it pauses in its turning") help to justify the extravagant early assertion that had the secret about to be revealed been known at the time of the action, the very earth "would have trembled on its axis like a beetle on a pin." (Fantasy. 9-11)

Pub Date: Nov. 1, 1975

ISBN: 0312369816

Page Count: 164

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 13, 2012

Kirkus Reviews Issue: Nov. 1, 1975

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HOLES

Good Guys and Bad get just deserts in the end, and Stanley gets plenty of opportunities to display pluck and valor in this...

Sentenced to a brutal juvenile detention camp for a crime he didn't commit, a wimpy teenager turns four generations of bad family luck around in this sunburnt tale of courage, obsession, and buried treasure from Sachar (Wayside School Gets a Little Stranger, 1995, etc.).

Driven mad by the murder of her black beau, a schoolteacher turns on the once-friendly, verdant town of Green Lake, Texas, becomes feared bandit Kissin' Kate Barlow, and dies, laughing, without revealing where she buried her stash. A century of rainless years later, lake and town are memories—but, with the involuntary help of gangs of juvenile offenders, the last descendant of the last residents is still digging. Enter Stanley Yelnats IV, great-grandson of one of Kissin' Kate's victims and the latest to fall to the family curse of being in the wrong place at the wrong time; under the direction of The Warden, a woman with rattlesnake venom polish on her long nails, Stanley and each of his fellow inmates dig a hole a day in the rock-hard lake bed. Weeks of punishing labor later, Stanley digs up a clue, but is canny enough to conceal the information of which hole it came from. Through flashbacks, Sachar weaves a complex net of hidden relationships and well-timed revelations as he puts his slightly larger-than-life characters under a sun so punishing that readers will be reaching for water bottles.

Good Guys and Bad get just deserts in the end, and Stanley gets plenty of opportunities to display pluck and valor in this rugged, engrossing adventure. (Fiction. 9-13)

Pub Date: Sept. 1, 1998

ISBN: 978-0-374-33265-5

Page Count: 233

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2000

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