by Aimée Bissonette ; illustrated by Doris Ettlinger ‧ RELEASE DATE: Sept. 15, 2018
Although young readers will not already know the names of these women nor the significance of their achievements in flying...
Another picture-book biography of women pilots who made aviation records lines up on the runway.
At 7, Jerrie Mock declared she was going to be a pilot and fly the skies. And she did. Joan Merriam Smith was inspired by a plane ride at age 15. Both young white women had the same idol and same goal: to follow Amelia Earhart’s route to fly around the world. Unbeknownst to each other, they each spent months eagerly making flight plans and studying weather reports. But weeks before their takeoffs, coincidentally scheduled on the same day, their plans almost crashed. News broke that two women had decided to fly around the world at the same time! What should they do? Turn the event into a race, of course. Numerous obstacles had to be overcome, but at the end, it was Jerrie who won the race. The straightforward narrative highlights the passion and determination of these two unknown women who broke barriers and achieved their dreams. Tidbits, such as the fact that each had a good-luck charm, add human interest. Softly colored illustrations realistically paint the scenes, but the pastel palette seems too demure for profiling these two gutsy women.
Although young readers will not already know the names of these women nor the significance of their achievements in flying history, this visual chronicle can serve as an introduction to the era. (author’s note, maps, bibliography) (Picture book/biography. 6-10)Pub Date: Sept. 15, 2018
ISBN: 978-1-58536-381-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: June 10, 2018
Kirkus Reviews Issue: July 1, 2018
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by Ruby Shamir ; illustrated by Matt Faulkner ‧ RELEASE DATE: May 2, 2017
A reasonably solid grounding in constitutional rights, their flexibility, lacunae, and hard-won corrections, despite a few...
Shamir offers an investigation of the foundations of freedoms in the United States via its founding documents, as well as movements and individuals who had great impacts on shaping and reshaping those institutions.
The opening pages of this picture book get off to a wobbly start with comments such as “You know that feeling you get…when you see a wide open field that you can run through without worrying about traffic or cars? That’s freedom.” But as the book progresses, Shamir slowly steadies the craft toward that wide-open field of freedom. She notes the many obvious-to-us-now exclusivities that the founding political documents embodied—that the entitled, white, male authors did not extend freedom to enslaved African-Americans, Native Americans, and women—and encourages readers to learn to exercise vigilance and foresight. The gradual inclusion of these left-behind people paints a modestly rosy picture of their circumstances today, and the text seems to give up on explaining how Native Americans continue to be left behind. Still, a vital part of what makes freedom daunting is its constant motion, and that is ably expressed. Numerous boxed tidbits give substance to the bigger political picture. Who were the abolitionists and the suffragists, what were the Montgomery bus boycott and the “Uprising of 20,000”? Faulkner’s artwork conveys settings and emotions quite well, and his drawing of Ruby Bridges is about as darling as it gets. A helpful timeline and bibliography appear as endnotes.
A reasonably solid grounding in constitutional rights, their flexibility, lacunae, and hard-won corrections, despite a few misfires. (Informational picture book. 6-10)Pub Date: May 2, 2017
ISBN: 978-0-399-54728-7
Page Count: 32
Publisher: Philomel
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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by Cameron Walker ; illustrated by Chris Turnham ‧ RELEASE DATE: June 13, 2023
A glorious monument to the national monuments.
The national monuments get their due.
Walker briefly recounts the history of the monuments (thank you, Teddy Roosevelt). Instead of the usual glossy photos, the text is paired with copious subtle watercolors, harmoniously arrayed with text on generous double-page spreads. Sparkling descriptions invite reader participation: “Imagine it’s 1892, and you’re arriving” in New York Harbor. “What will you see in the [pipestone] rocks?” Many monuments are in sites of superb natural beauty, but unlike the national parks, they must have historical, prehistorical, cultural, and/or scientific interest. Readers will find information on dinosaur fossils, geology, flora and fauna, and places important to Indigenous people, significant in history (Charles Young Buffalo Soldiers National Monument, Stonewall National Monument, the Belmont-Paul Women’s Equality National Monument), and/or connected to American leaders like Cesar Chavez. Fascinating facts are interspersed (the Washington Monument is held together through friction and gravity rather than mortar; the Pullman workers’ 1894 strike helped establish Labor Day). Regional maps throughout indicate the locations of the various monuments, divided by area: East, Central, Southwest, Mountain West, West, Alaska, and Tropics. A calm, subdued palette and geometric-based forms that use washes rather than line allow for a maximum of information without fussiness and, with help from typography, evoke classic WPA posters.
A glorious monument to the national monuments. (index) (Nonfiction. 6-10)Pub Date: June 13, 2023
ISBN: 9780711265493
Page Count: 112
Publisher: Wide Eyed Editions
Review Posted Online: March 13, 2023
Kirkus Reviews Issue: April 1, 2023
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