Profane, insane, hilarious, disgusting—and unexpectedly moving.
She's dead but she still won't leave: a mother-in-law horror story.
Abby and Ralph Lamb were just a sweet, ordinary couple getting ready to start a family when Ralph's mother, Laura, turned their world into a living hell, first by insisting they move in with her, then by slitting her wrists in the basement. Even the resources Ralph downloaded from the Borderline Parent website can't help them with the version of Laura they have to deal with now—a vengeful ghost, a rampaging motherthing. Abby knows all too well about motherthings, having read the research on orphaned lab monkeys who need maternal affection so badly that a rolled-up pair of socks can do the trick and having resorted in her own youth to cuddling a corduroy couch while her own worthless fuckhole of a parent (get ready for lots of strong language and fecal imagery in this book) was busy paying attention to "Todd or Doug or Randy." Though Abby tried desperately to please her, Laura is as cruel in death as she was in life, and now the usually adoring Ralph is withdrawing into his own fog of hallucinatory despair. The only person who's still giving Laura any love at all is Mrs. Bondy, a nonverbal patient at the nursing home where she works—and if Mrs. Bondy's horrible daughter goes through with her plan to move her to a different facility, Abby will just have to kill her and serve Janet à la king for dinner. Hogarth's way with words enlivens every page of this psycho romp, whether describing its unlikely hero, Cud, "a fourteen-year-old Pomeranian, which hung from her hip like a colostomy bag and always had a look on his face like you’d forgotten to wish him a happy birthday," or a drawer full of plastic bags: "when one is pulled, they must all sing the crackling songs of their ancestors." Her fearlessness and utter lack of inhibition animate the desperate longing and bitter trauma at the heart of this ghost story, administered with a steady drip of comic relief.
Profane, insane, hilarious, disgusting—and unexpectedly moving.Pub Date: Sept. 27, 2022
ISBN: 978-0-593-46702-2
Page Count: 288
Publisher: Vintage
Review Posted Online: Aug. 16, 2022
Kirkus Reviews Issue: Sept. 1, 2022
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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